We are deeply saddened by the news of artist Pepe Ozan’s recent death. Pepe was a formidable and passionate artist, sculptor and visionary who contributed greatly to the Burning Man experience. As one of the great creators of Burning Man art over a period spanning decades, Pepe gave tremendously to the event, the community and ultimately to the culture that has grown out of Black Rock City.
One of Pepe’s lingam sculptures was first burned at Burning Man in 1993, and he created “Pepe’s Tower” each year after that until 2000. In Burning Man’s early years in the Black Rock Desert, the ritual burning of “Pepe’s Tower” on Friday night was traditionally followed by the burning of the Man the next evening. The Friday night ritual became more elaborate each year, and in 1996 it was renamed “The Burning Man Opera”.
Pepe’s elaborate operas included “The Arrival of Empress Zoe” (1996), “The Daughters of Ishtar” (1997), “The Temple of Rudra” (1998), “Le Mystere De Papa Loko” (1999), “The Thaur-Taurs of Atlan” (2000), and ”Ark of the Nereids” (2002), which featured a 35′-long mobile sculpture / musical instrument in the form of a Spanish Galleon crossed with a mythical aquatic creature. These epic performances, remembered fondly by so many in our community, would feature over 2,000 dancers and performers – in a true demonstration of radical inclusion, any and all Burners were invited to participate. Read more »