We had a great time. Charlie’s cousin, Mary Gilbert, lives in San Francisco and helped put the weekend together. Read more »
Posts in community
Your immediate response is to yell, “What, are you freaking crazy?” Followed by a list of reasons from food to hygiene to exhaustion that it is not possible. And ultimately, a seed is planted and you start to think what would a lifestyle based on your experience during that one week in the desert really look like.
Over the past 6 months I have visited 25 communities around the USA and Canada and I have found that living “like this” all year round is not only possible, it takes on a wide variety of shapes and sizes.
One of the [BRAF]‘s 2009 Grantees, Cardboardia in Moscow, put on a Haute Couture Fashion Show recently and it is delightful. It put a big smile on my face!
A program participant of the Bike Bridge welds her bike in the welding course, hosted by The Crucible.
A program participant of the Bike Bridge paints her bike in the Art-Bike course, hosted by The Crucible
The [BRAF] is thrilled to announce the award of $10,000 granted from the National Endowment for the Arts for our newest project, The Bike Bridge. This new project, which launched in April of 2011, is the next evolution of our community-focused public art projects. This educational and creative program is designed specifically to engage youth living on Oakland, California.
The Bike Bridge is a collaboration with the youth of Oakland, artist Michael Christian (who has been creating art for the Playa for many years), and with partner organization The Crucible. The 12 enrolled participants, all young women, begin the project with classes in welding and art-bicycle creation, generously hosted by The Crucible. The program culminates in the collaborative creation of a large-scale sculpture made entirely of reclaimed bicycle parts, led by Christian.
In the second phase of the project, artist Christian will work with The Crucible’s instructors and the youth participants to design a “skeleton” structure that can later be embellished by the youths. These embellishments will be made of reclaimed bicycle parts, connecting with “green,” urban bike culture and tapping into the exciting, creative buzz around “art” bikes.
The Bike Bridge sculpture is designed to be the centerpiece of the City of Oakland’s new Uptown Merritt Art Park, to be located adjacent to the Fox Theater in the city’s newly revitalized Uptown district. The City of Oakland was also awarded an N.E.A. grant, in the amount of $200,000, a portion of which will fund the development of the new park. Plans pending, The Bike Bridge sculpture will act as a gateway to the park, which will also feature temporary exhibitions of large-scale works of art.
N.E.A.’s grant of $10,000 sets this ambitious project in motion. Fundraising efforts are underway to meet the project’s overall budget of $60,000.
See more photos of works in progress on our flickr page
The Bike Bridge project is funded in part by a grant from The National Endowment for the Arts. The National Endowment for the Arts was established by Congress in 1965 as an independent agency of the federal government that has awarded more than $4 billion on projects of artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector. To join the discussion on how art works, visit the National Endowment for the Arts at arts.gov.
photos courtesy of the Crucible
The Ghana ThinkTank is one of [BRAF]‘s 2011 grant recipients, and is developing the First World. Ghana Thinktank is a worldwide network of think tanks creating strategies to resolve local problems in the “developed” world. The network is composed of people from all walks of life and levels of expertise and began with groups in Ghana, Cuba and El Salvador. It has since expanded to include Serbia, Mexico, Ethiopia, Iran, and a group of incarcerated girls in the U.S. prison system.
These think tanks analyze First World problems and propose solutions, which are enacted in the community where the problems originated – whether those solutions seem impractical or brilliant. The success or failure of the solutions is documented and sent back to the think tanks, initiating another round of dialogue and action. For exhibitions, The Ghana Thinktank manifests as elaborate installations that document the entire process and involve audience participants in each step.
The Ghana ThinkTank in Corona involves a custom-built teardrop trailer designed to journey into different locales in the “First” world, collecting community and personal issues, and sending them to think tanks in Ghana, Cuba, El Salvador, Mexico, Serbia, Iran, Afghanistan, and others…
Once we receive the solutions, our trailer rolls back into the communities, this time as a mobile workstation, so that we can work with community members to apply the solutions we have received from our global network of think tanks.
The Ghana Think Tank operates in Corona May 21 – Aug 14.
El Ghana ThinkTank en Corona utiliza un remolque hecho a la medida para viajar entre los diferentes niveles del “Primer mundo.” El remolque sirve de punto de recogida para problemas de la comunidad y asuntos personales. Despues de la fase de collección las problemas serán eviadas a nuestra red de gabinetes estrategicos en Ghana, Cuba, El Salvador, México, Serbia, Irán, y Afganistán para ser resueltas.
Una vez que recibamos las soluciones, nuestro remolque volverá a las comunidades de Corona, esta vez como una estación de trabajo móvil para aplicar las soluciones que hemos recibido.
El Ghana ThinkTank opera en Corona desde mayo 21 hasta agosto 14.
The Ghana ThinkTank in Corona is supported by the Queens Museum of Art, Creative Time, the Black Rock Arts Foundation, Puffin Foundation, Rockefeller Foundation, Lily Auchincloss Foundation, and The Greenwall Foundation. Additional funding provided by New York City Department of Cultural Affairs and New York State Council on the Arts.
This is Chris “Kiwi” Hankins, leader of the 2011 Temple crew, with a scale model of the Temple of Transition. Those of you who visited the Megatropolis installation in 2010 will recognize its colorful silhouette, which should give you a point of reference. Yes, that’s to scale.
This year, a largely international Temple crew will construct a circle of six structures: five 58-foot-high outer temples, and a 120-foot-high inner temple. The temples will be connected with 60-foot-long walkways. The entire installation will have a diameter of 200 feet, and will be taller than the Man.
To build something on this scale, as Burners well know, you need an impassioned leader. Enter Kiwi, an experienced builder who’s been constructing the Man at Kiwiburn (New Zealand’s regional burn) for several years, and who has also lent a hand to build Black Rock City as part of the Department of Public Works.
Kiwi’s latest achievement is Megatropolis, which he and the International Arts Megacrew built last year.
“Before we were even finished building Megatropolis, I was already thinking ‘what are we gonna build next?’” Kiwi says. Later, as Megatropolis burned, a friend turned to him and asked, “What do you think?”
“I think I want to do the Temple,” Kiwi replied.
The Black Rock Arts Foundation has been working on many new partnerships and projects and we want you to help us celebrate them! After all, it’s our community that makes it all possible.
The Black Rock Arts Foundation is honored to be part of the effort to revitalize the Central Market area in San Francisco in collaboration with the San Francisco Arts Commission, and we love sharing and supporting Karen Cusolito’s sculptures.
Central Market will come alive for the Art in Storefronts launch celebration! The festivities include receptions at three neighborhood galleries, the debut of two temporary public art sculptures by Karen Cusolito, live music lining Central Market, and Off the Grid food trucks. The community celebration will kick off with the unveiling of six storefront installations and five murals designed by San Francisco artists.
Join the Black Rock Arts Foundation and the San Francisco Arts Commission for this FREE Market Street Blooms Opening Recption.
Music, speeches and mural unveiling:
May 13, 5:00 pm
998 Market St. San Francisco
‘Tis the holiday season, and dirt-rave-goers know that Buy Nothing Christmas is the best way to spend the winter solstice — giving mutual gifts of togetherness, experience, action, pay-it-forward-ism, and all that other fuzzy stuff which lasts forever and won’t be tossed aside and end up in a landfill.
Burners Without Borders is throwing its support behind the Coastal Heritage Society of Louisiana. If you have been following the Oilpocalypse story at all, you’ll know that Kindra Arnesen is one of the most furious angels in this whole dealio, blowing lids off coverups and using every available microphone and rally to alert the American people that this thing is so far from over, it may not have even begun. Her own health issues are well-documented in the media too; the breaking news, however, is that her brother is in the hospital — after trying to tough out the Gulf Blue Plague like self-sufficient Cajuns are wont to do, he submitted to the need for IV fluids and critical care. Doctors on the Gulf Coast, see, they don’t want to treat patients who utter the words “oil spill” or “BP.” They don’t want to spend the rest of their lives testifying in court, lose their jobs, and/or end up getting Matt Simmonsed. Anyway.
watch Kindra’s first public speech (and she hasn’t slowed down):
Kindra Arnesen – speech against BP and Halliburton, Gulf Coast 2010
Kindra and her homegirls in Plaquemines Parish Read more »