Ever since SXSW was a small gathering of creative types back in the day, we’ve sent folks from BMHQ down to Austin to participate. Over the years, we’ve hosted (or were on) a number of panels, held some workshops, and did a heck of a lot of connecting with like-minded people. And it’s funny … one of the most common questions we get is why we’re there. Why would Burning Man do SXSW?
Well, during our 25+ years of producing Burning Man, we’ve learned a thing or two about collaborative creation, participation-driven cities, inspiring creativity, creating crucibles for innovation, alternative socioeconomic models — things that we’re as eager to share with the broader creative community as they are to hear it. So for us, it’s as much about skill sharing as learning and community engagement.
So … that said, we’re happy to once again be sending a small contingent from Burning Man HQ to participate in SXSWi this year.
Rosie von Lila has put together a pretty impressive group of panelists to discuss participatory cities on March 14, and Burning Man Founder and CEO Marian Goodell will be on a panel about creating a space for social good on March 15.
We’ve also coordinated a couple Burner meet-ups, one for Austin Burners on March 14, and another for SXSW badge-holders on March 15. Details below … and if you’re in Austin during SXSW, we hope to see you!
Public Meetup for Austin Burners and Wannabe Burners (please spread widely!)
Friends in Austin! Please join folks from Burning Man HQ for an informal Austin Burners (and wannabe Burners) meet-up — come say hi and shoot the breeze. We’ll be in the back yard of Justine’s, just far enough away from the SXSW craziness. We’d love to see you!
Saturday, March 14, 5:30 pm Justine’s Brasserie
4710 E 5th St, Austin, TX 78702
2009-2010 Black Rock City Honoraria artist Jess Hobbs, from the ever inventive and productive Flux Foundation, shares with us an update on their latest work, Bloom!
Based at American Steel Studios in Oakland, California, this art collective has produced numerous memorable works for Black Rock City and for many other public community events (check out their portfolio). This recent piece is made of car hoods and bumpers donated from local auto body shops.
We are currently in the final-two-weeks-mad-rush of finishing our new installation Bloom! It was commissioned by the Philadelphia Zoo as part of their SECOND NATURE: Our Endangered World Revealed In Recycled Materials exhibition. The sculpture leaves Oakland for Philadelphia on March 16.
About Bloom!: Perennials epitomize sustainability. A beautiful resource that with a little attention and care can return endlessly. Bloom! is an outrageous, 35′ tall arrangement of flowers, creating a fun and inviting installation, producing both light and shade, and a welcoming space to explore. It is a dancing swirl of mixed recycled materials anchored by oversized leafy stems. The sculpture consists of fifty-four perennial flowers and nine monarch butterflies. A majority of the recycled parts came from our local West Oakland neighborhood. This spectacle is intended to establish a connection between our actions, animals and our shared environment.
If you’re in Philadelphia, pay a visit to the Zoo and see Bloom!
2010 and 2012 Civic Arts Artist
2008-2012 Black Rock City Honoraria Artist
If you’re in New York this month, don’t miss the chance to see Kate Raudenbush’s solo gallery show, which includes a debut of new work!
Kate Raudenbush is a sculptor and photographer based in New York, and the recipient of several Black Rock Arts Foundation Civic Arts and Black Rock City art grants. The power of her work lies in its ability to raise awareness of important ethical concerns without compromising beauty and aesthetics.
Kate’s sculptures and installations are embodied reflections on many essential themes and issues, ranging from societal values and power dynamics to ecological concerns. Her aesthetic choices are informed by a multitude of cultural influences, myths, and symbols. Through their intricate, geometric, and dream-like qualities, they instill a sense of awe and wonder in viewers, who are invited to meditate on the nature of transformation and evolution of consciousness.
Kate’s sculptures and installations include the following:
Future’s Past: 2012 – 2014 Civic Arts Project, San Francisco, California
Duel Nature: 2010 Civic Arts Project, Reno, Nevada, and Black Rock City project 2006
Star Seed: Black Rock City project 2012
Braindrop: Black Rock City project 2009
Altered State: Black Rock City project 2008
Kate’s SeeMe Gallery Solo Show, “Reflections,” opens on Wednesday, March 4th, which also happens to be during the Armory Arts Week. She will be exhibiting new work, as well as a restoration of Stadium of the Self, originally a sculpture at Black Rock City in 2005.
Reception – Mar. 4, 2015
7:00 p.m. – 10:00 p.m.
See | Exhibition Space
26-19 Jackson Avenue
Long Island City, Queens
New York, NY 11101
SeeMe is a design community that is “bringing creativity back to the real world through prints, experiences, and conversation.” Members can share and discover images through SeeMe’s online platform and iPhone app.
You can follow Kate on SeeME here, or learn more about her work at:
This is the official call for designs for the 2015 Burning Man stickers! Your design could be the one passed out with the materials you receive as you pass through the Greeters Station upon entering Black Rock City. Other designs will be official sticker schwag distributed throughout the year. Help us remember our wonderful home in the desert even when we’re away!
So, don’t hesitate. Participate! Thank you and good luck!
Your designs must use one of the three die sizes:
2. 5″ x 5.75” with a 0.125” corner radius
3″x 3″ square with a 0.062” corner radius
3” Diameter Circle
Whichever type of sticker tickles your fancy (or maybe you’re very ticklish and want to enter several designs), remember there IS a theme, and we like stickers that attempt to use the theme. Read up on the Carnival of Mirrors theme!
Must include: both the name Burning Man and the year 2015 in your design.
If using 1-3 colors, set up the file to print as PMS
If using 4 or more colors, set up the file to print as CMYK
Round stickers are given priority for winning the coveted “Gate Sticker” spot, going out to ALL Black Rock Citizens. Other sticker sizes are printed out and handed out to volunteers throughout the year.
Submitting your Art:
Send either a PDF file OR (preferably) the original Adobe Illustrator (.ai) file to stickers here: stickers (at) burningman.com. You must OUTLINE all fonts. Whether sending your design or questions, please put your first and last name in the subject header as well as the phrase “2015 Sticker Submission”.
Monday, May 18. No art is accepted after this date.
This video vignette about artist Jeff Schomberg is a fantastic portrayal of an artist whose trajectory of work has been irrefutably changed by Burning Man. Here, Jeff tells us about how Burning Man expanded his concept of public art, and opened up the possibility for his own artistic growth.
In this video, Jeff also talks about his experience of interacting with the Art Support Services at Burning Man, his appreciation for other artists on the playa, and for Burning Man’s art grants.
Jeff began attending Burning Man in 1998, and since has collaborated with artist Laura Kimpton to create numerous works, including 2008’s massive interactive fire and metal installation Celtic Forest, and the many “word” pieces that have become iconic to the vista of our playa (including Mom, Oink, Love, and Believe). He and Laura collaborated with the Black Rock Arts Foundation to bring Celtic Forest to Reno, Nevada, in 2009, and continues to create and share his work in public settings.
This brief window into his creative and production process reveals Jeff’s focused and dedicated work ethic, his esteem for his crew and artistic collaborators, and his conviction about the community-building potential of public art. Thank you, Jeff, for all your work!
Chicago’s annual Burners Without Borders fundraiser, ‘The BWB Winter Ball’, was a night to remember for all of the organizers, artists, volunteers, and participants who made it such a huge success. It was a night filled with art, food & performances; an evening exploring how artists can contribute their gifts in meaningful ways to their local communities.
The fundraiser was held to support the ‘Chicago Community Grant Program’: a collaboration between the local BWB chapter and Chicago’s burner-run arts & culture 501c3 Bold Urban Renaissance Network (BURN) that started in 2012. Based loosely on ‘The Sunday Soup’ model, the program is an experiment in opening up the grant selection process by allowing community members to vote for the grant winners themselves. Twice a year, a salon event is held where four civic projects are invited to come and give a ten minute pitch explaining their ideas and the audience follows up with a five minute Q&A session. After the pitch session everyone is served a delicious meal and has the chance to cast one vote that decides that evenings winners. After three years and six cycles, the program continues to exist as an enriching community event and vital funding model for grassroots initiative.
The BWB Winter Ball was conceptualized to be the main fundraiser for this program, and such a successful event shows that the local community believes in what’s been happening. This year’s fundraiser brought a 338% increase in earnings compared to the year prior. Another way to put this success into context is to consider that BWB Chicago raised more money on this single night than they’ve been able to give away over the past three years of the entire grant program’s existence. After expenses just under eight thousand dollars was raised!
So what does this mean for BWB Chicago and the Chicago Community Grant Program? The ability to have more impact! The program is looking at expanding in size, awarded grant amount, and number of grants given. Implementing a completely new microloan program for business focused projects is also under consideration.
Curious where the funding goes? Take a look at our 2015 Honored Projects:
On an otherwise unremarkable Wednesday, around 80,000 people sat nervously in front of their computers, waiting for the noon hour to strike. And when it did, they quickly clicked the link to get into the queue to purchase one of 40,000 precious tickets to Burning Man 2015. And then began … the wait.
As we’ve learned, it takes time to process all those transactions. Maddening time. Anxiety-inducing time. Time people spent on an emotional rollercoaster from hell, as they waited helplessly to see whether or not the winds of fate would blow a golden ticket into their hands. And during this time, probably more intensive psychic energy was heaped onto one single thing than anything else in Burning Man’s 29-year history: The Little Green Man.
The Little Green Man (yes, we’re capitalizing it, shut up) was the little dude standing, strolling or running along the progress indicator bar, marking one’s advancement through the ticket queue. As ticket-seekers urged him on with a fervor worthy of a filly at the Derby, he ascended to the level of a little green mythical being of possibility that would make the average totem, rune, relic or fetish (wait for it…) green with envy.
And while technically he’s white on a green background — Burners are known to be loose with aesthetic interpretations — he will go down in Burning Man lore as The Little Green Man. We’ve pulled together some of the sale-day homages to the little guy here (and we’ve saved our favorite for last) …. (more…)
The Individual Sale for Burning Man tickets started at 12 noon PST yesterday. Just over an hour later, the allotment of 40,000 tickets and 12,000 Vehicle Passes had been purchased.
Nearly 80,000 people registered for the sale and each person could buy up to 2 tickets (and one Vehicle Pass). In the end, roughly 21,500 people purchased the 40,000 available tickets (the average was 1.87 tickets per purchase).
So it makes sense that a lot of people are disappointed that they couldn’t get a ticket — for every one person who purchased a ticket (or two), there are nearly three more who were registered for the sale but didn’t reach the front of the queue before tickets were sold out.
So, how does the system work?
We wanted to give you a little insight on how the ticketing system works, because while a number of people are understandably upset about having not gotten tickets, the system actually worked. We hope the technologists out there will forgive us, as we’re going to put this in layman’s terms.
The system had to process roughly 80,000 people hitting the server at almost the same time (12:00pm PST). So imagine 80,000 ball bearings being dumped into a funnel at once, all vying for a spot in line to make it through the hole at the small end. Physics (in this case, load-balancing and sorting technology) sorts them into a line (in this case based on the time they clicked the ticket link), and a queue is formed in a matter of milliseconds. Some are going to be in the front, some in the middle, some at the back — but only the first 20,000 are guaranteed to get through to purchase a ticket (40,000 tickets for sale, maximum two per person).
So even if you clicked the link right at 12:00pm PST, you may not have gotten to the front of the line. Is that fair? Inasmuch as everybody’s in the same boat, it’s about as fair as it can be.
What about the fluctuating wait time indicator?
The wait time is an estimate — it fluctuates based on the time it’s taking people to actually make their purchase, which is determined by how fast people click and type, how fast the servers are processing, and how fast the queue is releasing people into the purchasing stage. A few minutes into the sale the queue was intentionally paused for 5 minutes (to allow the system to catch up to all the people hitting it), which is why your time estimate changed.
So what about the rumors of people sneaking to the front of the line?
Unfortunately there is some truth to this. Approximately 200 people created a technical ‘backdoor’ to the sale and made their way to the front of the line. Absolutely no tickets were sold before the sale opened at 12:00 pm, but they were able to purchase the first batch of tickets when the sale started. The good news (for us, not them) is that we can track them down, and we’re going to cancel their orders. The tickets from those orders will be made available in the OMG Sale in August. Of course, steps are being taken to prevent this from happening again in future sales.
Did the servers crash?
No, they never did and the ticket buying process was never stopped — the queue was intentionally paused (briefly) to allow the servers to catch up to the demand — and nobody lost their place in line as a result.
Why were people held in line for so long only to find out tickets had sold out?
The system lets people into the purchasing stage, and then people purchase their tickets. Until they’ve all successfully purchased their tickets, it’s not sold out. If for some reason somebody doesn’t complete their transaction (bad credit card, they bail out, etc.), then their spot is given to the next person in line. So we don’t remove people from the line until all the tickets have been successfully purchased, because technically you still have a chance to get one.
Why was there still an opportunity to donate to Burning Man Project once tickets had sold out?
Honestly, that was a mistake — we didn’t realize that option would still be available once the sale had ended. We totally understand how that came across as adding insult to injury, and we feel badly about it. All transaction pages including the donation page should have been pulled as soon as tickets sold out.
Were people given any advantage if they made a donation?
No, not at all. It was first-come, first-served for everybody.
What about the other reports of glitches in the system? There have been some additional claims of technical issues with the sale, including a report of an individual bypassing the line by going through Ticketfly’s homepage and one about someone using multiple codes to buy more than two tickets. So far we haven’t found any proof to substantiate these claims, but we are continuing to look into it and committed to its resolution. When we have more information to share, we will certainly do so.
What about all the overpriced tickets being sold on StubHub, eBay, and other reselling sites?
Our community has historically demonstrated its commitment to buying tickets at face value — a very small percentage of participants in the past have paid inflated prices, and we are certain that “scalpers” are not responsible for the high demand for tickets. While our options for preventing this behavior are limited, we do actively weed out known resellers as part of the registration process (that’s one of the reasons we have you register for the sale). But as long as people are willing to buy tickets at exorbitant prices (we wish they wouldn’t, but some apparently do), there will be a market for predatory resellers. It’s antithetical to our community’s ethos, but it’s also the reality of supply and demand (and technically legal). When we’re able to find out the serial numbers of these tickets (see below for how to report them), we void them. We’ll publish a list of voided ticket numbers on tickets.burningman.org this summer (so you can double check the number if you are buying a ticket on the secondary market).
Here’s how to report marked-up tickets on different sites:
Send an email directly to yourfeedbackmatters here: yourfeedbackmatters (at) stubhub.com containing the name of the event (2015 Burning Man Festival and 2015 Burning Man Festival Vehicle Pass), the dates of the event, and if you want to get super detailed you can also list exact URLs for each ticket you want to report. IMPORTANT: Include your contact number so they can reach you if they have further questions — they’re far more likely to take the complaint seriously if they can actually reach someone to respond. They want to help, so don’t abuse the StubHub folks, they’re not the ones who listed the tickets.
Offer the buyer face value plus fees. If that doesn’t work, flag the post and it’ll be taken down … do it often enough and maybe the seller will be more willing to listen to reasonable offers.
If you see marked-up tickets being offered anywhere else, contact ticketsupport here: ticketsupport (at) burningman.com so we can pursue it (and yes we really do). The more information you can provide us, the better, including screenshots since people often pull down posts if they think they are being flagged.