September 21st, 2014  |  Filed under Building BRC

Early Man-Man: proto-Burnin’ Dude builders and inspirational catalysts

If you’ll notice, talking to most of the elders of the Burning Man tribe, they put emphasis on the third syllable of the name of our weirdo company picnic. “The burning MAN,” they say, with a “The” at the beginning each time. All the rest of us say “BURN-ing man.”

So that’s how things used to be different right there, is the early Cacophonists emphasized the event’s syllables differently. That’s how you can tell an old-timer: They were there when “The burning MAN” was the only thing going on at “BURN-ing man” besides a sculpture or two, some buckets to poop in, and a bunch of people shooting guns or drinking or dragging each other around on tarps behind pickup trucks.

Just a statue and some surrealist freaks hauling junk. That was it.

from http://brokeassstuart.com/blog/2014/08/11/local-legend-of-the-week-burning-man-founder-host-to-the-sf-cacophony-society-p-segal/

Cacophony Society members invited Jerry, Larry, and the Burning Man out to their “Zone Trip Four” in 1990. Miss P Seagal, founder of Center Cafe and doyenne of Cacophony, stands with the Man. Photo stolen from BrokeAssStuart.

Old-timers also know the other originator of the Burning Man sculpture besides Larry Harvey, Jerry James, designed and built the Man almost singlehandedly in the four years it was on the beach (1986-1989). Not to say Harvey didn’t do anything, but he definitely wasn’t the lead builder, since he was more of a thinker-type than a carpenter-type person.

So, factually, Jerry James was the co-founder of the Man’s design as well as first lead builder. James paid for the materials and everything out of his pocket, for the first years. Carson Duper and Bill Nolan also helped build the Beach Man. In ’91, Jerry James backed out for various reasons, and first Dan Miller and then Chris Campbell took over as main Man builder.

The guys initially started building the Man at the shop where Dan Miller worked, called Sound on Stage, in San Francisco. Then they moved operations to Campbell’s house in South City. Miller was the main helper in Man-building from the beginning, instrumental and around in the first place because he literally lived inside the closet in Larry’s apartment. Miller took over as lead Man builder in ’90-91 (because Jerry James left) and then Campbell from ’93 or ’94 to ’99 or 2000.

After burning a Beach Man for four years, the cops famously told Harvey, James, Miller, and the guys they couldn’t burn their fifth one on the ocean that Summer Solstice in 1990. It was Danger Ranger, John Law, Kevin Evans, and Sebastian Hyde’s idea to ask those “latte carpenters” then if they wanted to bring the wooden figure to the San Francisco Cacophony Society’s latest outing, called “Bad Day at Black Rock,” which was to take place in the desert. This would mark the Cacophony Society’s fourth “Zone Trip” outing, as opposed to their usual pranks and culture-jamming events locally, and surreal weekend excursions to Southern California.

the first Burning Man t-shirt. so dark, & very not ravey or smiley, no?

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September 20th, 2014  |  Filed under Environment

MOOP MAP 2014: Roadside Poop & HexaMoop

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~ Leaving No Trace ~
The Burning Man community respects the environment. We are committed to leaving no physical trace of our activities wherever we gather. We clean up after ourselves and endeavor, whenever possible, to leave such places in a better state than when we found them.

When an unexpectedly vicious Monday rainstorm shut down all access to Burning Man this year, the flow of traffic into Black Rock City came to a complete standstill. For a day and a night, the highways transformed into parking lots, then into campgrounds.

If you were one of the thousands stuck out there, your entire community salutes you. Sansa Asylum, manager of the DPW Highway Cleanup crew, salutes you too: This year, even with the delays, the roadsides were cleaner than ever before.

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September 19th, 2014  |  Filed under Playa Tips, Preparation

Tap the Sun! Solar Camping on Playa with RASPA

Dave Marr was Burning Man’s web team project manager back in the day (think late 90s – early aughts), and he now makes a spectacle of himself volunteering for Media Mecca. And well, he’s hopped on the solar bandwagon, and (like every good hippy) now he wants to share the gospel with YOU. Here’s Dave:

“O’ is my power to capture the sun and control the lighting!”

Dave's slick solarized camp

Dave’s slick solarized camp (photo by Dave Marr)

Since 1998, I’ve camped in Black Rock City every way imaginable. I’ve slept in tents, in the back of trucks, in RVs old and new, and even atop of a hay bale on burn night — at a close but safe distance from the fiery embers.

I’ve been a member of small camps and large villages on The Esplanade, on the Center Camp grid, deep within street-sign-required territories, and even once went rogue and guerrilla on the back-side, aka the outer ring, also affectionately referred to as The Assplande.

Electricity, bitches! (photo by Dave Marr)

Electricity, bitches! (photo by Dave Marr)

In all of my adventures, I’ve learned the greatest comfort of all on the playa is, without a doubt, not cigarettes or aged whisky, but having electricity. That mysterious life-feeding juice required by lights, music, A/C, air-pumps, electronics, cameras, batteries, etc. In short, everything annoying, addictive and unholy in our modern world. Apologies to those from Darktardia Village. You live in a world I do not understand.

For me, each year is another opportunity for a new experience or personal journey. This year I decided to go solar by participating in the inaugural RASPA (Radically Affordable Solar for Playa Artists) program provided by those industrious non-profit do-goers at Black Rock Solar. $50 per panel rental, from Aug 18 to Sept 2. Not bad. Not bad at all.

This was my setup:

(1) 235w Solar Panel (1) 750a Deep Cycle Marine Battery (1) 500w Inverter (1) Solar Charge Controller

The panel gathers the energy, the charge controller moderates and monitors the energy flow, the battery stores the electricity, and the inverter is what you plug devices into. Basically it’s less than a milk-crate of gear not including the panel. With this I created my own personal electrical grid to power a handful of LED lights, Bluetooth speakers, iPod, iPad, phone, my MacBook Pro and bevy of camera batteries. I was working on a 20-day documentary project. So I needed power every day, all day, and without fail.

Dave's camp is totally LIT. (photo by Dave Marr)

Dave’s camp is totally LIT. (photo by Dave Marr)

The upside of individual solar: it’s basically plug ‘n’ play, totally quiet (no obnoxious generator sound!), and best of all it’s self-sustaining with no gasoline to buy, refill or spill. No clogged air filters either.

The downside: you have to maintain your deep cycle battery, i.e. continuously use it or put it on a trickle charger year round to keep its integrity. Personally, I consider this a good reason to set up a string of LED lights on a timer in my backyard.

In honesty, I did have one major hiccup … I didn’t properly plug my solar panel into the charge control at the start. For four days I watched (via the charge controller) as my battery level slipped from green to red until it went dead. There aren’t many things that can go wrong with solar but I found an important one. Hook your shit up right foo! When I corrected the wiring mistake it took (no lie) ONE afternoon of sunlight to fully recharge my battery.

One. Afternoon. Bitches. Then, my battery stayed in the green until I packed it out. Oh, and the cost of my solar setup was less than a ticket to the event.

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September 19th, 2014  |  Filed under Environment

MOOP MAP 2014: The Map You’ve Never Seen

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~ Leaving No Trace ~
The Burning Man community respects the environment. We are committed to leaving no physical trace of our activities wherever we gather. We clean up after ourselves and endeavor, whenever possible, to leave such places in a better state than when we found them.

The Temple of Grace burns. Photo by Chris Weger.

The Temple of Grace burns. Photo by Chris Weger.

Everything comes to an end. Each year, with columns of smoke still rising from the ashes of our shared experience, we pack our dusty belongings, dusty bodies and dustier dreams for our return to civilization. It can be an enlightening, contemplative, or even challenging experience—but however we feel about leaving, our homes, jobs, and people are calling us back.

But what happens when you can’t leave?
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September 18th, 2014  |  Filed under Afield in the World, Events/Happenings

Burning Man Goes BOOM

Burning Man co-Founder Harley K. DuBois was invited to participate in a panel on Leading the Way of Global Transformation through the Arts at the Boom Festival in Portugal. On her way out the door, she exclaimed “I’m going to my first rave!!” She was very excited.

As founder of Burning Man’s Community Services Department, she knows a thing or two about how festivals run, and how communities and culture develop through well-considered infrastructure, guidelines and support. Here’s her report on Boom, and the panel:

What a treat to be invited to Boom to sit on a panel with founders from other festivals. The grounds for their music event were idyllic, situated on the bank of a beautiful lake in the rural farm region of Portugal. The property was 30 minutes from the closest village, where attendees camp on tree-filled rolling hillsides for an entire week. They walk a short distance to the multiple stages playing all sorts of techno music, thoughtfully placed to avoid sound bleed from one stage to the next. Food and other vending were tastefully placed at the edges of the property, so that art and music took center stage.

The 42,000 people were remarkably polite and engaged. There were a lot of families present and children were fully integrated into the scene. The staff was chill and helpful and the founders I spoke with were buoyant and fun! Overall it was hard to tell that there were that many participants present because it was so calm and tranquil. And although there were major DJs present there was little cult-of-the-celebrity to be noticed. People were very engaged with the music, their friends and the lecture series that was held at their Liminal Village stage.

Boom, Fusion and Burning Man: Leading the Way of Global Transformation through the Arts panel. (Photo by Chiara Baldini.)

“Boom, Fusion and Burning Man: Leading the Way of Global Transformation through the Arts” panel. (Photo by Chiara Baldini.)

Our panel (Leading the Way of Global Transformation through the Arts) was on the final day of the festival, near the end of the day. It garnered the largest attendance that week, and people listened and asked questions of us all. Present were Diogo Ruivo of Boom, a lovely, humble and committed man; Eule, Fusion Festival director of production and Kulturkosmos Co-founder, full of passion about their edgy (bordering on anarchistic) festival; and myself representing Burning Man. All of us had spent years creating the processes and infrastructure to build our events. Boom and Fusion began in 1997, so Burning Man was the oldest and most developed event of the three, but the similarities in trajectory and growth were striking.

Burning Man was also the only event that creates the space for the participants to bring the content, where Fusion and Boom both provide the music that people come to hear, but the concerns with culture, future vision, and a need to create a solid foundation to build off of where very closely aligned.

Many questions were asked and most focused on community and growth toward a sustainable future. It was clear that Burning Man, with 10 years on the other events was a source of inspiration and learning for these festivals. The attention we have put on naming, describing and developing our philosophy and intentions globally was very evident. Our vision for outreach and sharing our learnings was greatly appreciated by the crowd. Diogo Ruivo of Boom described us as the parent they come to learn from which I took as a great compliment, but we all know that parents learn from their offspring as well. I look forward to pursuing the development of these relationships.


September 17th, 2014  |  Filed under Environment

MOOP MAP 2014: Respect & Restoration

MOOP-BLOG-2014-logo-crop

 

~ Leaving No Trace ~
The Burning Man community respects the environment. We are committed to leaving no physical trace of our activities wherever we gather. We clean up after ourselves and endeavor, whenever possible, to leave such places in a better state than when we found them.

Hello Black Rock City that was! 2014 was another incredible year at Burning Man; once again we all worked together to build it, share it, burn it and leave no trace of our passing.

Now, it’s my great pleasure to welcome you all back to the playa — virtually — to experience the restoration of this beautiful desert via this two-week blog series. As we do every year, the DPW Playa Restoration All-Stars will battle the heat, cold, wind, dust, rain and maybe some biting flies — why? To support Black Rock City’s Leave No Trace efforts, and to create the Moop Map for 2014.

The Resto All-Stars, led by Playa Restoration Manager D.A., consider the great task that lies ahead.

The Resto All-Stars, led by Playa Restoration Manager D.A., consider the great task that lies ahead.

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September 16th, 2014  |  Filed under Afield in the World, Culture (Art & Music)

“Burning Man: Art on Fire” Goes to Haiti

Sidney Erthal and Haitian President Michel Joseph Martelly

Sidney Erthal and Haitian President Michel Martelly

Sidney Erthal, co-photographer with Scott London, and author Jennifer Raiser of Burning Man Art on Fire, which is topping the charts at Amazon, was packing to leave Burning Man last week and noticed he had several calls from his good friend Claude-Alix Bertrand, the Captain of the Haitian Polo Team. When he got Claude-Alix on the phone, he wanted to know if Sidney could “Please come with me to Haiti?” Claude-Alix explained that he was about to be awarded the honor of being an Ambassabor of Goodwill for Haiti, and could Sidney please come, and take photos of the event. The Haitian Polo Team had just won their first Championship Trophy.

So Sidney traveled home to San Francisco, packed a few things and off he went on the red-eye to New York City and then a jump to Haiti, and at that point, Sidney had not even been off Playa 48 hours. As Sidney said,

That moment when you thought you were going to have a very slow decompression and life surprises you big time… A life changing experience after a life changing burn. Embracing the mission.

He was in Haiti for just less than a week, and what an adventure it was.

Claude-Alix Bertrand granted his "Ambassador for Goodwill for Haiti" title from Haitian President, Michel Martelly

Claude-Alix Bertrand was granted his “Ambassador for Goodwill for Haiti” title                        by Haitian President, Michel Martelly

But without a doubt, the highlight of the trip for Sidney, was meeting the President of Haiti, Michel Martelly, when he presented the Ambassadorship to Claude-Alix. Sidney had the opportunity to give President Martelly a copy of his book, and chat a little about Burning Man, which Martelly had heard of and was excited to know more about, and the President’s vision of Haiti’s future, to perhaps be a destination point for polo, to create more jobs in Haiti and improve the country’s economy. Sidney and President Martelly also had a moment to talk about the work that Burners Without Borders has been doing in Haiti to support Haiti’s recovery from the 2010 earthquake and help artists with their job skills; to read more that program, click HERE.

After meeting with the President, Sidney and Claude-Alix were taken on a tour of Haiti by Haitian Minister of Tourism, Stephanie Villedrouin.  They saw a broad cross section of Haiti in their travels. They also attended a lot of meetings, or as Sidney said,

Meetings, meetings and meetings. I always knew my degree in Tourism would be very useful at some point! YEAY!!!

 

 


September 16th, 2014  |  Filed under Participate!, The Ten Principles

The 10 Principles are most potent when offered to Strangers

StrangerDangerLast year I brought an art project with me to the playa – my first. It was a piece of “oracular playa magic” in which I would offer someone a personal experience: we would combine the serendipitous power of the playa with the deep insights provided by art to discover the person’s destiny and true nature.

It did not go the way I expected. Instead of being a fun little gift I could offer people, more often than not it stopped their burn in its tracks. I had people burst into tears; people go into deep conversations about their lives; one guy literally ran away. Other people told me, long after Burning Man, that they were still thinking about what I had “shown” then.

That was not supposed to happen. You can read about the whole experience here.

A number of people who witnessed this last year or read the story asked me if I was going to bring the project back for the 2014 burn. After a great deal of thought, I did. Unchanged except for the addition of a couple of new stories tacked on to the end.

The “divination game” was an immediate hit this year, and in my first few days I had a lot of people ask to participate, or bring me friends or people from their camps who were having various kinds of problems and therefore “needed” a reading.

But it wasn’t like last year: the effect was completely different. Instead of being an experience that stopped people in their tracks, my art project was a fun art gift that people really enjoyed and recommended to their friends. Which is great – I’m not complaining – but it made me wonder: why was it so different? Why was the exact same project getting a 180 degree response from the year before?

Part of it, surely, is just that no two years are alike – a fact that I gratefully acknowledge. But was that all there is?

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