Burning Man Founder and Chief Transition Officer, Harley K. Dubois, spoke at the 2014 Conference of The Feast in Brooklyn, New York. The speakers in 2014 were asked to address building new skills, offering and receiving each other’s new perspectives, and supporting projects and innovators in realizing the future together.
The mission of The Feast is to connect makers, doers and innovators around shared vision and to work together to transform each other, communities and the world.
Harley began her talk (which you can watch online) by asking how many attendees had been to Burning Man, and if they had not, had they heard of it. Lots of hands went up in the audience.
In her presentation, Harley referenced the image of Black Rock City, and how the horseshoe shape of the City centers around the Man as a constant reminder to be present and participate. And she explored the 10 Principles and how they infuse themselves into daily life in Black Rock City and beyond.
Harley noted that most of the attendees were at the conference because of a shared desire to make the world a better place — when you met someone in the hall, you could assume you have this mission in common.
That should ideally be the case at Burning Man as well. The 10 Principles are the same kind of shared context, making it easier for Burners to trust each other’s intentions and strike up an interesting relationship. And in their various, sometimes counter-intuitive ways, they’re also all about improving the world.
We always think of the principle of “Leave No Trace” as applying to things. To garbage. To left over zip ties. To empty cans on the ground.
But does it apply to people?
Do we want it to?
I was struck, this week, by an email that “This is Burning Man” author Brian Doherty sent out encouraging people in the Bay Area to see a show produced in large part by burners this Friday at the Castro Theatre.
The show is about a woman of whom there was no trace. Whose life was, literally, thrown in the garbage.
While hunting for a place to illegally dump some trash at three in the morning, an old-time Burner (Chicken John) found a magnificent leather scrap book at the bottom of a dumpster. It was, all but literally, the life of a woman named Margaret Rucker. It had her birth certificate, pictures of her life, clippings from news articles about tragic things that befell her, and excerpts from poetry magazines of verse she’d had published. It ended with her death certificate.
It was all there. At the bottom of a dumpster. If he hadn’t found it, it would have been destroyed.
What happened? He had no idea. Nobody knew. For maybe 15 years he carried this scrapbook around with him, read from it, shared it with people – put on shows devoted to Margaret’s poetry and the mystery of her life.
No answers. Except insofar as we all know, deep down, that people are disposable. That at some point all we are will be left in a trash bin. That no trace will be left. (more…)
“In essentials, unity; in non-essentials, liberty; in all things, charity.”
–Motto of the American Grange
I began my career in the desert sleeping out of doors in the lee of a truck. The next year I brought out a low-slung two-man tent that accommodated my belongings and a sleeping bag. This arrangement was succeeded, after a period of years, by a series of ugly RV’s. Eventually I bought my current trailer; though battered by eight winters in the desert, it is still quite sleek and tighter than a can of tuna. It is an elegant home. Sometimes I half-humorously refer to this as the higher survival. I chronicle my history of upward mobility because I don’t believe this story is unique. Feathering one’s nest is a perennial human aspiration. It is amenities that make a house a home, and everyone should have a right to practice home improvement.
In the midst of the current controversy about Plug and Play camps, there has been a great deal of talk about equality, but I think that much of this misses the mark. Scan Burning Man’s Ten Principles, and you will not find radical equality among them. This is because our city has always been a place where old and young, and rich and poor, can live on common ground. The word for this is fellowship, as in the fellowship of a club or lodge whose members, however diverse, are united by common values and a sense of shared experience. But common ground is not a level playing field, and should not be interpreted as mandating equal living conditions.
This issue of equality almost amounts to a straw man. I do not believe that most people would want to live in a city that is the equivalent of a Marxist State, a place in which the prying eyes of envious neighbors are forever trained upon one. Instead, I think the current controversy over Plug and Play camps is not so much about equality, but concerns a very different though related concept: inequity – a basic sense of unfairness. Whenever a select group is allowed special access to tickets, especially when these tickets are in short supply, this can inspire ill feeling. This is doubly so if such a camp is widely perceived to be flouting nearly all of Burning Man’s Ten Principles. This is what has stuck and rankled in the public mind. It is as if these camps have been allowed to parade past the Main Sale ticket queue and insert themselves at the head of the line.
We do of course afford such a privilege to placed theme camps, collaborating artists, and many other quasi-public groups. This takes the form of a separate sale of directed tickets. However people don’t complain about this practice because it is now widely acknowledged that these camps are making special contributions to the life of Black Rock City. Unlike Plug and Play camps, which make up less than one percent of our city’s population, these activist camps are helping to knit together our city’s culture. They accomplish this by giving gifts that are above and beyond the common call of duty.
It therefore follows that the best reform we can enact is to stop placing these Plug and Play camps in a category that sets them apart from others. This was done informally, it was not fully thought out, and we apologize for this mistake. To rectify this error, we now intend to make these camps subject to the standards that have regulated theme camps and related groups. This means that in order to receive placement, early arrival passes to the event site, or access to preferential tickets, they must demonstrate what they propose to give to their fellow citizens. Not only is this fair, we also think this will lead to deeper and more heartfelt change. No amount of preaching can replace immediate experience, and we believe that constant interaction can be the best teacher of all.
This leads me to another aspect of inequity. Is it fair that Burning Man sells a limited number of higher-priced tickets that provide better access to the event? In order to adequately answer this question, I will first recount a little history. As everyone in the world now seems to know, in 2012 Burning Man went through a crisis. In that year demand for tickets exceeded supply by something like a 3:1 ratio. At the same time, the Bureau of Land Management, our Federal landlords, had placed hard limits on our city’s growth – it was the perfect storm, and many ticket buyers, long accustomed to unlimited access to the event, reacted angrily. People wanted a commodity that’s called a ticket, and over a span of several weeks, any sense of fellowship flew out the window – it was like a riot at a Blue Light Sale. Many people offered plans to solve this problem, and yet it often seemed that these solutions were actually crafted to ensure that they would receive a ticket. Amid much finger pointing and scapegoating, even theme campers were denounced as a privileged elite.
To look at this charitably, it’s clear to me that none of this would have happened if Burning Man were merely a consumer event. The passions that many people have brought to this issue are the result of a deep-seated commitment to an experience that has changed their lives. But as it was then, during the great ticket furor, so it is today; now it is being said that wealthy people – imagined as one-per-centers and gentrifiers who are taking over America – are actively demeaning and oppressing ordinary citizens, and that event organizers, motivated by greed, are selling out their principles. It is even said, bizarrely, that we’re scalping our own tickets. Such a picture has all of the advantages of melodrama, but the real story, especially as it relates to money, is very different.
We have sold a limited number of higher-priced tickets on a first-come first-served basis since 2008. In 2014, 3,113 of these tickets, priced at $650, were sold as part of our early Pre-Sale program. The advantage to the customer was that it was possible to order four tickets at one time – twice the number of tickets allotted to purchasers of $380 tickets in our Main Sale. There can be no doubt that this was preferential treatment and, on the face of it, this appears to be the sort of inequity that has angered people. But the mystery of our motive is revealed by another statistic. In 2014, we sold 4,422 Low Income tickets priced at $190, and this more than mirrors the number of higher priced tickets sold through our Pre-Sale program. We took money from the rich and subsidized the poor; and this seems fair to us.
This account of how money flows through our organization also has another dimension. In 2014 the owners of the Burning Man event transferred their shares to a not-for-profit corporation called the Burning Man Project, and the event is now nested within this new organization as a wholly owned subsidiary. The mission of the Project is to spread our culture throughout the world. This is an ambitious goal, to say the least, and such a start-up enterprise requires money. Over a span of three years, the Burning Man event has spent quite a lot of money in order to create this new non-profit and fund its operations. In other words, the Burning Man event has been the Project’s chief contributor.
We hope the Burning Man Project will soon become completely self-reliant – The Little Engine That Could can’t really pull many more cars. But until that time arrives, a portion of our ticket sales will continue to benefit the Burning Man Project. Since 2012, when tickets first became a scarce commodity, I think some people have become so obsessed with squeezing through the narrow aperture that leads to Black Rock City they have lost any sense of a wider perspective. But from our point of view, by giving money to the Burning Man Project, we are making it possible for thousands of people, who might not ever come to Black Rock City, to participate in Burning Man’s culture.
This brings me to examine one last notion that has been in play throughout the present controversy over Plug and Play camps: the idea that these camps are guilty of committing some great act of wickedness – this is called iniquity. There can certainly be no doubt that there are conspicuous camps in Black Rock City that have practiced what I call concierge culture, and their missteps have been many; they have fielded members-only art cars, they have withdrawn from surrounding neighborhoods, and it would appear a few of these camps may have stationed security guards at camp entrances – they have, in other words, swaddled their members in a kind of cocoon that bears a strong resemblance to a gated community.
This kind of behavior is certainly an affront to our culture, though I find it hard to believe it has hampered or injured anybody. The curdling gaze of celebrities or the intimidating presence of the wealthy cannot possibly inhibit the remaining 99 percent of our citizens from participating. What I think these camps are really guilty of is being gauche. This is not so much about morals, it is more about manners, and we’re convinced bad manners can be mended; we can regulate the use of art cars, we can fashion guidelines for the funders and producers of Plug and Play camps, and we can make a systematic effort to monitor the result of these changes. Anyone who knows our history must be aware we have done this sort of thing before. In 1997, we enacted reforms that regulated access to the event, eliminated use of firearms, instituted speed limits for motor vehicles, and required cars be anchored to camp sites.
And yet, with all this talk of regulation, I hope everyone realizes we are beginning to move down the path toward a society that is ever more rule bound – and that should not be our objective. If Burning Man is about anything, it is about affording individuals as much liberty as possible, and critics who call for drastic and punitive measures are acting as if the Ten Principles are the Ten Commandments – but these principles are in no way commandments. They represent an ethos that arose from the lived experience of a community; this means these values need to be internalized, they should become a kind of second nature, not a set of literal and unyielding rules that are imposed upon us. The only thing that our tasked government can do is create new social contexts in which people can connect and meet on common ground. That is what we’ve always done, and will continue to do in the future.
My experiences for the last 17 years at Burning Man have been so amazing and transformative that I have a hard time seeing any shifts in the event as a real threat. “Bring on P.Diddy and the Turnkey Camps!” I said. I still believe that. But I also am able to understand the current fear more clearly now than I once did.
Like everyone, I am eagerly awaiting the official response to the recent controversies. I do *not* think Burning Man is doomed. Quite the contrary. I have faith we will figure this out and thrive.
Once we get a handle on the current challenges and correct the course, the magic will shine as bright as ever.
The fable below is fictional. Take it with a grain of dust.
Once upon a time there was food enthusiast who hosted a fantastic baked goods potluck.
He invited 10 adventurous cooks he knew and they started gathering each month to share delights.
Their culinary skills were varied…but they all sure loved food.
The spreads were AMAZING!
People went WAY over-the-top.
Exotic ingredients, rare fruits, fine wines.
For some participants it became almost a game: who could produce the most fantastic dessert? (more…)
Burning Man co-Founder and Chief Philosophical Officer (we love saying that, it just sounds so cool) Larry Harvey was invited to speak at the Long Now Foundation on October 20, 2014. Long Now, in case you didn’t know, focuses on long-term thinking and ideas, and hosts a wonderful seminar series on a wide range of topics.
Larry spoke on “Why the Man Keeps Burning”, and his talk was very germane to current events in the Burning Man community. Listen to Larry’s talk on the Long Now site.
[This post is part of the 10 Principles blog series, an ongoing exploration of the history, philosophy and dynamics of Burning Man’s 10 Principles in Black Rock City and around the world. We welcome your voice in the conversation.]
There have been some recent losses in our community — suicides and accidents — that serve as stark reminders of the impermanence of it all. My heart goes to the friends and family impacted by these losses. For those of us connected through social networks, both personal and online, we are entering new territory. No generation has shared and mediated grief through digital space like we do, and no generation has been so removed from religion. In the spirit of continuing the exploration of how we talk about impermanence in a radical, creative culture, I’d like to share the following reflections. (more…)
Building art for Burning Man always seemed to be part of my yearly cycle. I love what I have been a part of creating in Black Rock City; I have grown up and cut my teeth building art out on that remarkable desert canvas. Over the last several years, though, I’ve found myself bringing more art to life out here, “beyond the fence.” Thanks to the efforts of so many, we can now cite several instances of Burning Man art in many cities around the world.
At FLUX we have created 12 works of art in our 4 years of existence. This is something we are truly proud of. We’ve successfully made interactive art accessible to a wide audience, and we use this art as a platform to engage people in the core values we have cultivated as Burning Man artists. Our works have been experienced by people in Oakland, Minneapolis, Philadelphia, Las Vegas, and now, San Francisco. Sometimes, we are so busy building we forget to take a moment to celebrate and share what we’re creating. In this case, we are celebrating our newest interactive sculpture, Carousel.
Inspired by the shared experience and wonder of the swing rides of childhood carnivals, Carousel uses a variety of materials, a playful color palette and communal interaction to create an immersive environment. In this space, people will contribute to a cumulative visual expanse, reflect on inspiration, and engage in conversation. Participants will return to a sense of wonder as they sit beneath and contribute to its creation.