A couple amazing videos came across our radar recently. They’re amazing in and of themselves, but also as an exercise in contrasts … and a vivid reminder that every Big Thing started small.
One is a Super 8 video shot by Bob G at the first Burning Man to take place on the Black Rock Desert in 1990 (he added the soundtrack in 2000 as an effort to juxtapose what Burning Man was to where it’s evolved). The other is a beautiful high-definition time lapse video of Burning Man 2011 called “The Fertile Desert” by filmmaker Roy Two Thousand.
Never doubt the power of a spark to ignite a flame that will burn the world.
Most of us are home and cleaning the playa dust from this year’s Burning Man. My kitchen continues to smell like vinegar since my husband and I arrived home two weeks apart. But most of my friends are talking about missing the community and spectacle they experience at the Burning Man event. For some of them, like us, it has become a part of their lives. I know there are a lot of videos out there but I thought you might like to see “Burn Baby Burn”. It does have some enhancements so if you are a purist about the Burn this might not be the video for you, but I loved it:
Music: BRAPT, an underground Belgian artist
Animation: John Ferran (Dustfish)
Video: Mister WA or MisterWAvideo here: MisterWAvideo (at) gmail.com
When I arrived home and started to miss Burning Man I saw this amazing video that I wanted to share with you.
And here is some information that Experimental Airlines wanted to share about the video:
The most huge thanks to my spotter and ground crew T.R. “Deluxe” – I could not have done it without you!
“Ready To Fly” by Clayton Joseph Scott, from his album “More Love”, gifted to me by the artist himself on the playa. Listening to this song on the way back to the default world I realized that the lyrics encompass the Burning Man experience quite perfectly. The flying reference also made it great for this video. Clayton has kindly allowed me to use his song. Read more »
Now comes the hard part: Adjusting back to life in the default world.
I am not going to pretend it isn’t rough. But after 15 years of making the transition, I wanted to share a few things that help me.
1) You can be the same person.
The default world will not treat you the way that the people of Black Rock City do. But you can still treat everyone here the way that you did out there: Be kind. Be wacky. Open your heart and share your gifts. In time, more and more people will respond as Burners…whether they’ve been to BRC or not. Read more »
What follows is a short photo essay of last night’s Early Burn. These photos and captions are from Todd “portaplaya” Gardiner, who will be working with some of the bloggers here during the event this year.
The Early Burn is a celebration of the accomplishments of the staff and volunteers. Many of the people out this early have been building the event for more than two weeks without a day off. and this short event allows each team to make an expression of their specific contribution and provides an evening of R&R before going into the last week before the event opens.
Small core teams of artists were formed by various larger groups. The projects are rather competitive and the results range from crass to classy. The next few photos show what these builders created in two day’s time, often from scrap materials.
Burning Man was built on freedom of expression, and participants shouldn’t have to worry that photos or videos of their on-playa activities might appear online (or elsewhere) without their permission.
Going way back (pre-2000), Burning Man has requested that participants intending to record video on playa sign a Personal Use Agreement (PUA) to protect participants’ privacy in Black Rock City. In fact, it was this policy that allowed us to stop Voyeur Video from broadcasting illicit videos they’d recorded of unwitting Burning Man participants in 2002.
Burning Man’s photo policy is spelled out in the online terms and conditions applicable to all tickets: any participant is free to disseminate photos for personal use only, and cannot use them for any other purpose without the written permission of Burning Man. The PUA simply provides another mechanism to make participants aware of the limitations on photo use, and the distribution of the PUA at Greeters also assists in this process.
Of course, technology is evolving quickly. Back when video cameras were big and bulky and rare, we asked that each be tagged so people could identify the person taking their picture. Flash forward to 2012, and now just about everybody has a video camera on their person in the form of a smart phone or handheld video camera — so while collecting PUAs has become more logistically challenging, protecting the privacy of our participants is more important than ever. Read more »
At the 2011 Burn, a small group of talented video producers and friends got generous. As part of a public relations gift initiative, they undertook to produce video treatments of selected art projects. The idea was to give Burning Man artists the benefit of what Media Team members do well, and to give the artists new tools to promote their work, their teams and their dreams.
The videos on this blog have all been gifted to the artists, and are being simultaneously made available to you. They are an example of how unexpected generosity serves new friends in original ways, just as it serves art in new ways. These “Profiles in Dust” are a gift from the Burning Man Media Team to all artists and Burners, whether depicted in this collection of films or not.
We encourage you to share these videos with your friends, family, and others who are interested in Burning Man. It’s truly amazing what happens when talent and inspiration unite with the spirit of gifting.