Female Leadership: “There’s chicks in charge everywhere.”

[This post reprinted with permission from Burn After Reading Magazine.]

Harley K. Dubois and Rebecca Anders (Photo by Sidney Erthal)
Harley K. Dubois and Rebecca Anders (Photo by Sidney Erthal)

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No one takes a tool out of anyone’s hands. That seems to be the golden rule that truly fosters leadership. “The more the teacher resists the urge to take the tool out of the hand of the student, the better the student learns,” attests Rebecca Anders who has been apart of large Burning Man art since 1997. She’s worked with the Flaming Lotus Girls, helped to build the Temple of Flux and currently makes within the Flux Foundation. Her cohort for the Female Leadership lecture at the Burning Man Global Leadership is equally amazing. Harley K. Dubois attended her first Burn in 1991 and it has spiraled out of control from there. Harley is responsible for creating the infrastructure of Burning Man. She was the first person to suggest theme camp placement and has served as the City Manager for fifteen years. Now she is the Chief Transition Officer and facilitated the recent transition of The Burning Man Project.

One of the main things these women have learned by being leaders in their communities – it’s about collaboration not competition. The more projects embrace the “We” instead of the “I” the more everyone involved is able to succeed. This kind of attitude leads to the doacracy culture that we all so greatly appreciate.

Thoughtful responses were plentiful from the crowd. (Photo by Sidney Erthal)
Thoughtful responses were plentiful from the crowd. (Photo by Sidney Erthal)

Rebecca has a great example of this from her Burn in 2011. While building the Temple of Flux there was no lead carpenter. The person with the clipboard was the person in charge but that individual was constantly rotating. When it was quitting time for one, another would come in, get briefed, grab the clipboard and take their place. The balance of power was never skewed because everyone had a chance to be in that leadership role. At first the professional carpenters who came to volunteer with the temple at the Burn were fairly confused. There was no main foreman only someone standing there with a clipboard and all the information. “There’s chicks in charge everywhere,” Rebecca joked that this must have been the possibly unnerving realization of all these carpenters who were used to a very different situation. This radical model was insanely successful and to this day The Temple of Flux, which was created by a crew that was 80% women, was the only temple to finish early and under budget.

This success should come as no surprise. “Women have been running Burning Man since the getgo.” Harley states with sincerity and a bit of levity. Marian Goodell, Crimson Rose and Harley were incredibly instrumental in the creation of Black Rock City. Harley built all her teams by making dinner and feeding them. One of Harley’s tricks is to be nourishing and accommodating, it gets the job done.

Throughout the entire workshop and the open discussion that began to take shape between all the participants in the room the concept of the We continuously came up. Everyone needs to feel empowered and if you give value to the volunteers there’s a sense of ownership that creates a work family not just a work crew. Our consensus was that the most powerful thing that a leader of any gender can do is to give their power to others.

PedalBump Shows What It Takes to Run an Interactive Theme Camp

PedalBump is a fantastic theme camp that’s been hosting interactive madness on the Esplanade in Black Rock City since 2013. They welcome Burning Man participants to enjoy (as in, smash the shit out of each other in) custom built pedal-powered bumper cars on a circular track beneath a big top circus tent. Hell. Yes.

And that’s all well and good, of course, but they’ve taken it a step further — they help teach other Burners what it takes to run an interactive theme camp at Burning Man. The result? Everybody wins.

Here’s their recap from this last year, check it out if you’re prone to the oh so foolish idea of running an interactive theme camp on playa (we kid, it’s awesome):

We wanted to let you know that our endeavor to teach some folks about running an interactive installation was a smashing success! We will have slots open again this year for some intrepid groups to learn how to run an interactive installation, including joining in our build process, so stay tuned for our 2015 press release!  Meanwhile, here is a quick 2014 RECAP of the Guest Hosting crew endeavors.

The_Eds_pit_crew
(Photo by Sarah G )

At the start of the 2104 Burn, the first time that we handed over the PedalBumps under the big top circus tent to a guest hosting crew, our founding group walked away and looked at it from afar with a broader perspective. It was like handing over our baby. We spent every single day and night running it last year and rarely had the chance to step back and watch the show.

It was hard in a way to entrust it to others. Giving up control over something you’ve created with a tight knit group is never easy. The installation encompasses our heart’s work and each bumper car was fabricated to have an individual personality. The host crews needed to step up to wrangle and entertain several hundred people on the Esplanade, while caring for a truckload of equipment during each shift of the public races. But we knew that having these host crews totally take over was definitely the best way for them to learn the ins and outs of an interactive installation of this scale.  As a group they had to figure out how to divvy up jobs, support each other, communicate in a chaotic environment, keep the party going, troubleshoot on the fly and close up shop when done.

mistikal_misfits_dave_s_announce
(Photo by Gerard DiNardi)

The crews we interviewed and selected for this awesome opportunity showed up in full force, ready to go and gave us peace of mind to let the mayhem roll. It was well worth it to share this knowledge in a completely experiential fashion. They all created new styles and wacky traditions we may have never thought of for PedalBump. We gave each hosting crew a bunch of pre-instructions via email and all our tips and tricks in person on playa to running this crazy installation. At the start of each shift, we got them started going over all the details but once we stepped away they were fully in charge. By all reports they had a blast. The number one comment they all made was how exhausted they were creating a massive spectacle for four hours straight and that they would do it again in a heartbeat! Here’s a quick rundown of what went on when the 2014 host crews took over.

Steampunk Saloon: It was a lovely, music oriented evening at the races with these beautiful DJ’s and magic-makers. Their witty, polite announcers got the crowds to play lightly with a bump and run style that had riders giggling and showing off. The cameras were out in force. It was a primping and posing night on the track reminiscent of the Preakness. They emphasized delight and the vibe carried into a dance party under the tent after the races ended. The next day we found all the PadalBumps in near perfect condition. The track and surrounding environs were spotless. People came again the next day to show off and pose with the bumper cars.

mystikal_misfits_pit_crew
(Photo by Gerard DiNardi)

Gate Crew: This crew came in HARD! They amped up with some growling music and immediately began verbally heckling riders and spectators. They brought their own orange cones to set up lanes within the track (ala the lines at gate) and spun riders around for complete directional mayhem. They created duststorms by slamming giant pillows on the ground and then incessantly hurling these massive dusty bombs at the riders—who loved it! Their pit crew searched and harassed riders and constantly ran them off the road and caught rides on the bumpers. Impeded by cones, pit crew and dust bombs, riders could not even get enough speed to make it around the track more than a few times before collapsing and rolling off the cars to practically crawl off the track in sheer hysterics.

Kids Day: The kids showed up hours before their scheduled slot waiting impatiently to run the races before most of our camp was even awake. You know kids…. Our original crew helped them set up, got them used to the microphones to announce and showed them how to manage the line. The small-fry got both kids and adults racing for hours and our mechanics helped a few learn how to turn some wrenches to fix a few loose screws and flat tires left over from Gate crew the night before. At first glance, you’d think that adults are going to overpower kids on these things but it is exactly the opposite. The kids have boundless, endless energy and clear lungs for the crazy cardio that pedaling requires and can out maneuver almost any adult within one lap.

mystikal_misfits_pit_crew_Kelly
(Photo by Gerard DiNardi)

Mystikal Misfits: This talented performance group took the demolition derby aspect of PedalBump to new heights. The next day after these Misfits ran it, all our cars were so smashed and bashed we needed to re-weld over half of them and two of the older models were damaged beyond repair. They invented a new tradition called stilt cocking at the races where a naked stilter walks over the racers before they take off from the starting line.

The Eds: A small but energized group from our own camp took over Friday afternoon. They were new to the whole performance aspect of running the races, but they did have a real life fireman on crew so we trusted everyone was in good hands. By Friday day, word was out that PedalBump is a blast so they had a steady stream of happy people to entertain. The shady tent became a fun oasis for their races. They put on a great show, cracking tons of jokes in matching PedalBump Pit Crew T-shirts and their sheer enthusiasm kept everyone smiling like crazy.

Camp Absofuckinlutionists: They were Canadian and they make awesome homebrewed beer.  At first, they were so timid and polite that the spectators were out of control, cutting in line, jumping on cars and climbing the tent! We gave them some coaching and some whiskey and emphasized that they were in charge and had the right to kick out any assholes. Soon enough they were heckling everyone within earshot and ordering people around like pros.

Pedal_Bump_The_Eds
(Photo by Sarah G)

A special shout out goes out to several individual volunteers, especially Viking, who showed up to help at random times and jumped in to announce, wrangle and fix the cars! They brought a zing of new energy and had a blast! A few of the crews did not make it to their scheduled slots due to the rainstorm and entry delays at the beginning of the week. But those that missed out will be on the roster this year if they want to try again.

We’re sure our 2014 guest crews and volunteers will take their first-hand knowledge to creating more interactive art at their own camps this year!

Watching from afar confirmed our commitment to bringing in new crews to host the races and gave us new energy to improving PedalBump for its 3rd year! We’ll be having some build days and pre-playa races in L.A. this summer for anyone who wants to get involved in advance and we’ll be taking applications once again for hosting crews and volunteers to jump in at the Burn in 2015. Again, stay tuned for details.

Much Love from the PedalBump Crew

Kevin, Sarah, Tanya and Zack

Call-Out for Burning Man Sticker Designs!

2007 Burning Man sticker by Eggchair Steve
2007 Burning Man sticker by Eggchair Steve

This is the official call for designs for the 2015 Burning Man stickers! Your design could be the one passed out with the materials you receive as you pass through the Greeters Station upon entering Black Rock City. Other designs will be official sticker schwag distributed throughout the year. Help us remember our wonderful home in the desert even when we’re away!

So, don’t hesitate. Participate! Thank you and good luck!

The Details:

Size:

Your designs must use one of the three die sizes:
2. 5″ x 5.75” with a 0.125” corner radius
3″x 3″ square with a 0.062” corner radius
3” Diameter Circle

Design:

Whichever type of sticker tickles your fancy (or maybe you’re very ticklish and want to enter several designs), remember there IS a theme, and we like stickers that attempt to use the theme. Read up on the Carnival of Mirrors theme!

Must include: both the name Burning Man and the year 2015 in your design.

Colors:

If using 1-3 colors, set up the file to print as PMS
If using 4 or more colors, set up the file to print as CMYK

Priority:

Round stickers are given priority for winning the coveted “Gate Sticker” spot, going out to ALL Black Rock Citizens. Other sticker sizes are printed out and handed out to volunteers throughout the year.

Submitting your Art:

Send either a PDF file OR (preferably) the original Adobe Illustrator (.ai) file to stickers here: stickers (at) burningman.com. You must OUTLINE all fonts. Whether sending your design or questions, please put your first and last name in the subject header as well as the phrase “2015 Sticker Submission”.

Deadline:

Monday, May 18. No art is accepted after this date.

Thank you!

The 10 Principles are most potent when offered to Strangers

StrangerDangerLast year I brought an art project with me to the playa – my first. It was a piece of “oracular playa magic” in which I would offer someone a personal experience: we would combine the serendipitous power of the playa with the deep insights provided by art to discover the person’s destiny and true nature.

It did not go the way I expected. Instead of being a fun little gift I could offer people, more often than not it stopped their burn in its tracks. I had people burst into tears; people go into deep conversations about their lives; one guy literally ran away. Other people told me, long after Burning Man, that they were still thinking about what I had “shown” then.

That was not supposed to happen. You can read about the whole experience here.

A number of people who witnessed this last year or read the story asked me if I was going to bring the project back for the 2014 burn. After a great deal of thought, I did. Unchanged except for the addition of a couple of new stories tacked on to the end.

The “divination game” was an immediate hit this year, and in my first few days I had a lot of people ask to participate, or bring me friends or people from their camps who were having various kinds of problems and therefore “needed” a reading.

But it wasn’t like last year: the effect was completely different. Instead of being an experience that stopped people in their tracks, my art project was a fun art gift that people really enjoyed and recommended to their friends. Which is great – I’m not complaining – but it made me wonder: why was it so different? Why was the exact same project getting a 180 degree response from the year before?

Part of it, surely, is just that no two years are alike – a fact that I gratefully acknowledge. But was that all there is?

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Licked by Kittens Camp

The Man
The Man

Oh how things have changed from the Rainpocalypse of Monday’s downpour, hail, and lightning strikes that shut down the city and kept gate closed for hours. Black Rock City is in full force with roaming dusty bands of painted and festooned citizens and with flowing flocks of decorated bikes ridden by enthusiastic, wide eyed  merry makers. There are shiny newcomers all acclimated and fabulous, as well as those who’ve been out here a while and who  are now relaxing and taking it in. Art has burned, parties have been thrown and like all cities, we’ve weathered this together and become closer. There are peals of laughter and general hilarity across the city, howls as the sun drops behind the granite range and the magic hours begin, sizzling grills smoking at all times of the day, be it bacon hour or the dinner cocktails time, with art cars of all types and sizes: cats, ships, dragons, camels, rolling slow, shimmering disco and techno as they slowly cruise and create temporary ambient environments prowling up and down the avenues of our city.

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Cop Whispering: A call to unity

Working DPW and Gate at Burning Man has given many of us on staff our first taste of what it feels like to be an Enforcer. Of any type. In order to build and run a city out of thin air, sometimes a bunch of anti-authoritarians have to figure out how to tell other anti-authoritarians what to do, in the way we’d like to be told ourselves.

We workers are enforcers of necessary rules like: Don’t bring your guns or dogs here, don’t run towards the burning thing, and what if you’ve tried to stow away a hippie and now they’re suffocating underneath your bad plans.

Yes, it can be fun to role-play alpha tribe-protector out here, all fancy with a radio. Yes, the Stanford Prison Experiment was real, and we’re sure the lead Black Rock Rangers have had to pull some “excited fake cop” people off their Burning Man Ranger routes and take their radios away. That’s human nature. Working through it is what happens next.

For us regular blue-collar workers in Black Rock City, sometimes in this heat we get to feeling harsh, whether from a long work day, a few bad apples’ stupidity, or their mis-assumption of our stupidity. Worse yet, sometimes, as Enforcers, we harsh someone who doesn’t deserve it, because someone else tried to run and hitchhike through fast-moving intake lanes just a minute ago.

So the workers of Black Rock City have a heightened sense of empathy for Burning Man’s law enforcement. In Black Rock City, we have DPW who builds and stewards the town, we have Rangers who walk around and interact with the community, we have Emergency Services which provides medical and fire protection to anyone and everyone who needs it, and we have Gate and Perimeter as our internal “border security.” Together, these Burning Man departments handle all the regular, run-of-the-mill problems a society might have, such as power outages, dehydration, or domestic disputes.

Then the big guns are also here — the BLM and local law enforcement — whenever we need them.

We have always been glad they’re here. We workers have dealt with some scary shit, and while we talk a big tough game, DPW doesn’t know what to do with a transient one-armed man who’s wandered in from the desert during setup 2003, bleeding from his crazy-eyed head, talking about having just murdered a friend and his dog. Uhhhh, that’s beyond our scope of knowledge and ability.

We call the cops. We need cops. End of story. (more…)

Audio Art Tours are live!

The wonderful folks in the ARTery have completed your 2014 Audio Art Tours.

Download the entire zip file or get individual MP3s now at the new Art Installations Audio Tours page.

The MP3s are great to listen to while packing, on the drive to BRC, or on playa, as you’ll have your own personal art tour guide. They should import into your music player as an album and are easy to drop into a playlist.

Your tour guides are the ever fantastic art fanatics  Jim Tierney and Evonne Heyning. Blurbs for each piece are written by Jim Tierney  or the individual artists.

Spread the word far and wide and bring your own Art tour to the playa.

Also, the ARTery has created a page devoted to everything you need to know about  Art Tours in Black Rock City this year

Enjoy!

Where do I find the Pinhole Cameras this year?

Pinhole sampleIt’s not as well known as that one art car that shoots all the fire, or that sculpture that does the thing when you touch it with the lights – but for years the Pinhole Camera group at Burning Man has been producing some of the playa’s finest back-and-white photography, and they’ve developed a following.

For years the group has been based out of Media Mecca, using one of Mecca’s shipping containers as an on-playa dark room.  Putting on gloves, sploshing chemicals – I’m pretty sure some people have gotten it on in there, too, but sadly it wasn’t me.

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