Working DPW and Gate at Burning Man has given many of us on staff our first taste of what it feels like to be an Enforcer. Of any type. In order to build and run a city out of thin air, sometimes a bunch of anti-authoritarians have to figure out how to tell other anti-authoritarians what to do, in the way we’d like to be told ourselves.
We workers are enforcers of necessary rules like: Don’t bring your guns or dogs here, don’t run towards the burning thing, and what if you’ve tried to stow away a hippie and now they’re suffocating underneath your bad plans.
Yes, it can be fun to role-play alpha tribe-protector out here, all fancy with a radio. Yes, the Stanford Prison Experiment was real, and we’re sure the lead Black Rock Rangers have had to pull some “excited fake cop” people off their Burning Man Ranger routes and take their radios away. That’s human nature. Working through it is what happens next.
For us regular blue-collar workers in Black Rock City, sometimes in this heat we get to feeling harsh, whether from a long work day, a few bad apples’ stupidity, or their mis-assumption of our stupidity. Worse yet, sometimes, as Enforcers, we harsh someone who doesn’t deserve it, because someone else tried to run and hitchhike through fast-moving intake lanes just a minute ago.
So the workers of Black Rock City have a heightened sense of empathy for Burning Man’s law enforcement. In Black Rock City, we have DPW who builds and stewards the town, we have Rangers who walk around and interact with the community, we have Emergency Services which provides medical and fire protection to anyone and everyone who needs it, and we have Gate and Perimeter as our internal “border security.” Together, these Burning Man departments handle all the regular, run-of-the-mill problems a society might have, such as power outages, dehydration, or domestic disputes.
Then the big guns are also here — the BLM and local law enforcement — whenever we need them.
We have always been glad they’re here. We workers have dealt with some scary shit, and while we talk a big tough game, DPW doesn’t know what to do with a transient one-armed man who’s wandered in from the desert during setup 2003, bleeding from his crazy-eyed head, talking about having just murdered a friend and his dog. Uhhhh, that’s beyond our scope of knowledge and ability.
We call the cops. We need cops. End of story. (more…)
One of the things about Burning Man is that one day seems like three; when you think about what happened early in the day, it almost seems like it happened yesterday, or even the day before. So much happens in the course of 24 hours.
So you can imagine what it is like to try to remember what happened yesterday: It seems like last week. So today, when we rode around the playa and explored the art and it wasn’t too hot and there wasn’t any dust, we could only be grateful for the rain that made things such a mess the day before.
(This post is going to be annoying if you don’t like Burning Man or are only interested in what can be done better. There won’t be much criticism, because right now we can’t think of any. Today was the kind of day that makes us like the event.)
So we’ll pick our story up where it ended a day ago. When last we visited, the rain had slammed us, but then had gone away. The sun had come out by midafternoon, and the puddles started drying up, and there were rumors that Gate Road would soon open up. That apparently happened around 6 pm for the people who had been stuck between the gravel of Route 34 and the entry gates. After those people made it into the city, traffic control people started telling the folks who were stuck out on the highway that it was safe to travel. Then the ok was given to the people in Gerlach, then presumably the green light extended all the way to the 447 exit off of Route 80.
We heard stories of the spontaneous parties of people trying to make the most of being stuck, of being participants at Waiting Man, and we also heard of horror tales of the hours it took to get through the lines. Louder Charlie said he heard the longest it took for one person to make it from Gerlach to Black Rock City was 29 hours. Oof.
The population at midnight the night before last was 27,900; by midnight last night, there were 38,400 people in Black Rock City. So a little better than 11,000 folks made it through the gates by midnight Monday, the day of the big rain. But last night the city still felt small and intimate. That might have been because the recent arrivals were still setting up their camps, not going out and about.
As evening fell we went for a stroll. We ran into people we knew, which is always a happy thing: Just when you think that everything is getting too crowded, you have a reunion on the playa and it all seems like a big family party again.
We finally made our way out to the Man and wandered around the tent-like souks for a bit. The souks really were a philosophical and aesthetic risk this year; there was a lot of affection and community-building around the Regional Projects, which the souks effectively replaced. But for us the move worked on two levels; the playa area around the Man felt more open and spacious, giving the Man the space he needed to have the most impact. Plus, the souks created a gathering place at the base of the Man. It very much felt like we were in a marketplace, at least of ideas, as we were making our voyage. Canvassary, indeed.
Most of the souk displays are interactive. You wandered in and someone asked you to do something or explore something. We wandered into one souk that featured a terrycloth camel about eight feet tall. A woman was seated underneath the camel, almost as if she were milking it. You were encouraged to reach inside the camel’s udder, and there were fingers in there. So we pulled them as if we were milking them, and before we knew it we had a handful of special fortune cookies. The one we opened said, “Art is what you make other people see,” and we liked that very much.
We came back to Media Mecca, right there on Rod Road near the Center Café, where all the visiting press checks in. It is also where we call home, and this year it has a décor designed and implemented by Phoenix and her crew. It has elevated our surroundings to a new height. There are handmade Arab-y turrets and smooth flowing fabric everywhere. Window art boxes are framed by geometrically cut CDs, and the color scheme on the interior and exterior walls picks up the reflections cast by the CDs. Who knew there were so many beautiful pastel shades of purple and blue and green, and that they could be interwoven so beautifully.
Today we had an ambitious day of going to more Burning Man. We got our bikes, went to a friend’s camp, had some refreshments, and set out.
As Peanut put it, Burning Man pressed the “pause” button today, as heavy rains and hail prevented people from getting in and out of Black Rock City, caused widespread power outages, and intensified the misery of people waiting in the “will call” lines at the box office.
The gates to the city officially opened at 10 am on Sunday, and for most of the day it seemed like the event was off to a pretty good start, despite harsh weather during the build that forced everyone to hustle to catch up to schedule.
Things got further off track as Sunday progressed, though, with horror tales of people spending as many as eight hours in the will-call line. The scene at the gate last night was unprecedented. As people wound round and around waiting in line on foot to pick up their will-call tickets, there weren’t any cars ready to be processed through the gate.
It almost seems like there’s a new challenge in the ticket system every year, and this year it has been the backlog at the will call window. Nimbus, Burning Man’s ticketing manager, said in her seven years with the organization, she’s never seen so many people arrive at the will-call window in such a short time frame.
Megan Miller, Burning Man’s director of communication, said, “There are a lot of factors that we’re looking at. Some of it is in our control, and some of it isn’t.”
The contributing factors include the number of tickets that are sold electronically and require a check-in. Those include the 3,000 tickets that were sold in the “oh my god” final sale in July, the 4,000 low-income tickets, and the increasing number of tickets sold to international participants, who now are about 20 percent of the population (the organization does not ship tickets internationally). Plus, all the tickets re-sold through the STEP program also require a visit to the will-call window.
And then there are the vagaries caused by dependence on technology: If the wifi is down or bad weather is affecting satellite signals, the check-in process is slowed. It’s still the desert out here, you know, and things just don’t work they way they do in the default world.
Still, for the people who were already inside the city, although the rain and hail was scary at times, and made the roads impassible by virtually any means – foot, bicycle or vehicle, it also gave participants another opportunity to prevail over the elements.
The good planners knew that plastic bags wrapped around your shoes prevent “playa platforms” from building up on the soles of your shoes. That was really only the beginning of it, though.
There was the simple approach to getting around: no shoes at all. (The mud doesn’t stick to your feet.) Then there was the utilitarian approach: Black or clear plastic bags, zip-locked or taped. Then there was the fashion-forward approach: White plastic bags arising to mid-calf. And then there was Helen Hickman, who took advantage of the weather to invent a new genre of playawear: the trash suit.
“I must say, it’s very becoming,” Larry Harvey said as he walked around Rod’s Road, sidestepping the muddy clumps and randomly talking to people hoping to start their burn.
Helen had a message: “I have to tell everyone, trash-bag wear is going to be the thing this year.”
When you’re on the playa a certain number of hours, you acclimate. That number of hours depends on your constitution, but after all the preparation and anticipation, the packing, driving and making it to the event sign on 34 and pulling off the pavement then making your slow progress through the Gate and later, through Greeters, you find your camp and get your essential shit together. You unpack everything you brought with you because we have a tendency to bring everything just in case we need anything and you set up your essentials shelter and water. For a few hours you’ll spend time with camp mates who were already here and have acclimated, or you’ll wander, or you’ll just collapse into sleep, submersed in an ambient glowing soundscape of a City that is coming alive around you.
That first sleep comes on strong, cool and windswept beneath shivering shadows cast by tents and shade structures, to sleep and to dream in this wide open space where nature is the ultimate governess. And each breath away from the barrage of the default world we are all complicit in creating, complete with alluring suggestions regarding what you should believe and buy, each breath will clear your mind of any unhappy maniacal anxious material monkeys that our society packs on your shoulders all year, those screeching little rascals who crawl up your spine and tend to make you insane daily. You’ve worked on your art to gift, planned and set aside some of the tribute you pay to the world behind to come and camp out here to contribute to a community that’s one some of us believe is something that could be better than the one we leave behind. We’re experimenting each year, trying to fine tune this on playa situation and some of us are hoping enough of here seeps out into there.
Michael Ziff and Craig Mullin have been coming to Burning Man since 1999, which, because it was in the ‘90s, should and does garner mad respect. We think the dividing line for old school is the year 2000; if you attended before then, you’re old school; if you started coming after, well, we’re happy to have you …
Ziffy and Corky therefore qualify as old school, and on Friday, just a couple of days before the event starts, they had one of those fundamental kinds of Burning Man experiences that you can’t make up, ones that seem to happen with an almost unsettling regularity, and which restore your faith that you’ve made the right decision to attend again.
Because honestly, it’s not easy to come here.
It’s not easy to step away from the life you know and the people you love and maybe the job you have, to put it all in a state of suspended animation, not for a vacation, but for immersion and energy and maybe even renewal and rebirth. Yes, yes, Burning Man is a dirt rave and a hippy party and a corral for sparkle ponies, we get all that.
But it is also the opportunity to burn things away, both literally and figuratively. It is looking again at the life you are living, looking at it through a different lens, and judging it by different standards. It’s hard not to do that here, because in spite of the recent (and not really new) stories about how Burning Man has become a playground for the tech elite, for most people, the experience is anything but a contest in opulence.
Layna Joy said it pretty well out at the Man Base the other day. She said, “People are the currency here, and I’m rich. Money means nothing.” The strength and freshness of your personality and the authenticity of your life is what counts here.
Ziffy and Corky first came to Burning Man in 1999, and they went to the first Temple ever specifically built for Burning Man in 2000. That was David Best’s first year, and it was the first year there was an identifiable place for solemnity and reverence and memorial and yes, sadness, at Burning Man.
And Ziffy and Corky were out at the Temple again yesterday, too, even as workers were installing decorative panels in the still-under-construction dome. They wanted to be in the Temple at the exact moment, 11:11 a.m., that their friend Daniel, back in Vancouver, would have himself removed from life support and thus end his long battle against terminal cancer. (more…)
The Man got a head today, and he’s a better Man for it.
Actually, he’s had a head for some time now, but it just hadn’t been put on his body. That was rectified this morning when Bruiser, Joe the Builder and their crews lifted the 3,400-pound thing and put it atop his torso.
His enormous face is lined with blue neon, and the skull will glow with red light from within. The neon color scheme is similar to 2008’s American Dream, and the combined colors will cast a purplish/reddish glow. “Larry said he wanted a subdued effect,” Dana was saying as he watched the Man’s head lifted into place.
The Man site was quickly transformed from a work site to an installation site, and Oopah and his crews were putting the finishing touches on the tent-like Souks that ring the man on the ground. The Souks replace the Regional art installations this year, and rumors are flying about the guests who might make anonymous appearances in them to talk with Burners, so you’ll definitely want to check them out.
This morning’s lift was almost anticlimactic from the drama of a couple of mornings ago when the Man’s legs were raised and his torso was put on top of them. All was smooth sailing, as Bruiser’s crane didn’t seem to strain in the slightest. Pirate maneuvered a boom lift to keep track of the guide wires, and Goatt was back on playa to help lower the head into place.
The process of building the Man’s head was quite a departure this year. Normally, the Man Krewe heads to the work ranch at the end of June and spends a week or so building the normal Man, then many of them head to the desert for Fourth of Juplaya. This year, though, most of the work was done right on site, right next to the Man Base crew, which did the construction on the Man’s body.
“Honestly, I’m kind of ready to be done with it,” Bodie was saying the other day. “It’s been a lot more intensive this year.”
Instead of building the same Man as they always do, with slight variations and embellishments to distinguish each year’s Man, this year the head had to be invented before it could be built. So it meant for long days, some setbacks, but at the end, a very worthy dome. “We were bent over, leaning backwards on 12-foot ladders,” Bodie was saying.
“There the head flies, and now I fly,” Commander Bob said as he watched the lift.
For Andrew Johnstone, who did the design of this year’s gargantuan Man, the feeling was a little different: “I feel like a giant weight has been transferred to the Man’s shoulders from my shoulders,” he said.
The design of the Man germinated a couple of years ago, even before last year’s giant flying saucer was built. Andrew said Larry came to him asked what seemed to be a rhetorical question: “What if we built a giant Man?” Andrew started ruminating on the idea, and now here it is.
The man’s head seems quite nicely perched on the spine, and there was a bit of wiggle room built into the process to allow for that. After that head was lowered onto the 20×20-foot spine, holes were drilled through the wood to fix its place.
And now that the head is where it belongs, and now that Black Rock City has its focal point, the big structure will go from being various pieces lying on the ground to perhaps the most-photographed object since the Golden Gate Bridge.
And it also seems that we’re that much closer to being ready for the gates to open, and that’s a fine thing, too.