On April 19, 2014, the Burning Man Project and ArtIsMobilUs collaborated to create the first ever AnyKidCanPaint “Our Earth”, and first three sided ARTwall at Earth Day SF. In addition ArtIsMobilUs provided an Earth Wall for everyone to paint or write what they love about about the earth.
The process for this collaboration started a couple of weeks earlier at a Burning Man Project Volunteer Appreciation Party. During the party the scissors came out and along with celebratory toasts to the volunteers there was much clipping to be done to make animal prints for the kids. (more…)
Alberta is a vast cold pine forest in central Canada. The largest city, Calgary, is so perfectly snow-covered that it once hosted the Winter Olympics, and the regional Burn there is held on an elk farm in the summer. The elk wander around, gazing at the otherworldly lights from the darkness of the forest and probably wondering what’s going on. The regional is called Freezerburn, and it is so far north that the sun comes up at 4 a.m.
I met a sound engineer from Alberta at the Global Leadership Conference this year. He belongs to a camp called Space Gnomes, and is asked by fellow campers to “fix the sound,” meaning to redirect sound waves.
Most of the time, flat speakers broadcast, sending sound waves in all 180 degrees; he focused the waves on certain areas, on a dancefloor, in one direction. That works for high frequencies, but “bass is more omnidirectional,” he said.
“So bass waves spill more,” I said.
“Basically,” he said. (more…)
If I tell you that “Western Culture” is dying, will I seem alarmist?
If I say that it is our responsibility, as citizens and Burners, to pick the gauntlet of culture up, will that seem absurdly triumphalist?
It does to me. But, over the next thousand words, that’s pretty much where I’m going to go.
Dammit. I hate it when I get like this.
A sense of mission looks bad on Burners, we’re much more appealing when we’re just having fun, but ignoring the evident is worse.
I missed this year’s Global Leadership Conference, but I am told that a moment came when a mass of people finally acknowledged that the idea of the “default world,” a real world from which Burning Man is an escape, no longer holds water. There are too many leaks. There are hundreds of thousands of self-identified Burners engaging in hundreds of regional events around the world.
That’s what makes this era of Burning Man different from what came before. We can no longer even pretend there is a “default world.” To quote the 1980s: we are the world. Only a small part of it, but inseparable from.
Last Friday, the Life Cube burned in the middle of Las Vegas. The flames carried 35,000 wishes written by the public up into the heavens.
Artist Scott Cohen has built and destroyed The Life Cube Project on the playa for a few years running, and now he’s brought its message into the default world. Anyone who passed by the structure before the burn was able to write down their wishes, and Cohen also brought cards to local elementary schools. DaveX (Burning Man’s Fire Art Safety Team manager) said his favorite of the kids’ wishes was “I want a gold monster truck.” He and a few other veteran Burners were on hand to make sure the Life Cube burned safely — including the inimitable Flash Hopkins, who emceed the proceedings.
There’s a beautiful photo gallery in the Las Vegas Review-Journal, and here’s a great piece about the burn on the local news:
More than 100 European regional contacts, community leaders and regional event leads gathered in Berlin with Burning Man staff Feb. 7-9 for the inaugural Burning Man European Leadership Summit.
Through three days of presentations, group discussions and networking, participants and staff gained a deeper understanding of the broad range of community initiatives and visions of the future shared by Burners from countries across the continent. Burning Man staff led seminars covering event production and the evolving role of regional contacts. Participants also shared experiences on the unique nature of leadership in a collaborative culture and across multiple languages. (more…)
[This guest post is from Dr. Graham St John, who is a Postdoctoral Researcher at the University of Fribourg, Switzerland, where he is working in collaboration with Prof Dr. Francois Gauthier in the Department of Social Science researching the global Burning Man movement as a religion beyond religion. His website is www.edgecentral.net.]
After my first encounter with Burning Man in 2003, I grew enthused by its global reach over the subsequent decade. This trend is reflected in the 2012 Black Rock City Census results (BRC Census 2012) in which we learn that 24% of the population of Black Rock City are reported to be non-US residents (about 10% European). There is no reason to believe that this global gravitation to the quintessential do-ocracy in the desert will abate any time soon. While this trend is fascinating in itself, of corollary interest is the stimulus that descending upon the Man is having back in the world. By 2014, pilgrimage to the world’s largest temporary city has triggered a global diaspora, with regional developments worldwide, stoked and nurtured by the Burning Man Project. Across the planet, official Regional Events (adopting the Ten Principles), as well as other event-communities, art initiatives and “transformational festivals” are being influenced, if not directly inspired, by Burning Man and its ethos. (more…)
“I want to share some good news. Burning Man and its community has been a huge source of inspiration. And now I’ll be exhibiting photos taken on the playa from my series Lost and Found at Europe’s most important photography fair Paris Photo. If you think the Burning Man community in Europe would appreciate visiting, please feel free to share the details for the exhibition:
Did you see the “Like 4 Real” art piece at Burning Man 2013? Did you hate it? Did you discount it as a publicity (or some such) stunt by Facebook, or a group of overly-enthusiastic Burners from Silicon Valley? You’re not alone. Turns out that was a common misconception.
DADARA (aka Daniel Rozenberg), the Amsterdam-based artist who has created over a half-dozen thought-provoking art pieces for Burning Man over the years, recently spoke in front of 1,200 people at the Royal Concert Hall for TEDx Amsterdam about Like 4 Real, his most recent offering.
It’s a wonderful talk (not to mention an interactive and participatory experience) about the principle of Immediacy, wherein DADARA provides insight into this provocative piece, including the socio-technical conditions that inspired it, the Likefesto, and the experience of displaying the sculpture at Burning Man.
Enjoy … and we encourage you to participate in the Like meditation at the end. Of course, if you’re so inclined, you’re welcome to “like” the Like 4 Real Facebook page. For real.