Following a blustery day of spotty power outages across the county, Seattle Burners spent Saturday night under clear skies at their local Decompression event.
This is the annual fundraiser for the non-profit Ignition Northwest arts organization in Seattle. The funds fuel art grants and support of the arts community, including an annual scholarship to the Pratt Fine Arts Center.
Below is a short photo essay of this event. Click here to see the whole set.
The work of the artists, more than 100 from around the world, has been completed. All 24 of the the projects in the Circle of Regional Effigies have been burned. While some of the members of these teams will return in the morning for Leave No Trace, their art has been featured as the centerpiece of a city-wide night of celebration.
Below are a set of the images from this night of conflagration and joy. We hope you enjoy them and remember that wherever your region is, it is a part of the Burning Man community.
Since Monday, Burning Man participants have been enjoying and interacting with the products of artistic labor from around the world. They’ve been animating fish, receiving gifts or just meeting the builders in the shade of their temporary art. You can even get brisket and margaritas at the Houston CORE structure while dancing to the music they are spinning.
At night the pieces glow with colored or animated light, showing participants a new face.
Day and night, morning and evening, the area where the CORE projects stand are buzzing with activity. Below are many images of the activity around the CORE projects, as well as photos of the completed artwork by these dedicated builders.
There are many stories about how the regional Burning Man group in Israel started. Memory recalls general details better than specifics, and points of view might not agree. But many feel these stories don’t collide, they coincide.
Sharon Avarham, the Artistic Director for Midburn, is happy to explain the basics of his involvement. While working at a summer camp in 2011 for Jewish children in the U.S. Midwest, he was invited to go to Burning Man at the end of the summer. Having missed the chance once before, he made every effort to rearrange his schedule and go. He and his friend Daniel joined the CRTT theme camp and found themselves at home. A random encounter with other Israelis inspired them all to keep in touch once back home.
They did more than keep in touch. A Facebook page was created and grew as other Israeli Burners discovered it. A Burner’s night was started at a bar in Tel Aviv. Theme-based gatherings were held. At one point, Sharon says, those that had been trying for years to organize a Dead Sea burn event were in touch, but nothing manifested. The growing community was content to be part of each other’s lives and share the Burning man vibe. They were hungry for it in fact!
On Wednesday, August 21st, a very powerful wind front blew through the beginnings of Black Rock City. There was some warning from weather services, and the staff communicated what was coming to artists and staffers. Most art crews were prepared, and afterwards the ARTery conducted a survey of the art projects for damage.
Many staff camps dove into action in the initial whiteout, strapping down tents and shade structures, despite the fact that most were secured the previous night. But this very powerful storm had higher winds and bent structures that only shook before.
So here’s the lesson: plan carefully for the prevailing winds, and use very long stakes and more strapping and ropes to secure your structures than seem necessary. You’ll be glad you did.
With about a week to go until the event begins, the playa activity starts to shift to artists and those that support them. Honorarium art gets an early start, large projects arrive and the CORE teams unload and finish the work they have been focused on for months.
Many of the CORE teams create a shade structure and a support camp near their site right from the start. Others dive into creating the basic structure of the project in the heat of the sun. Different techniques depend on how many crew are still expected, how massive the project is and how close that team’s theme camp housing is located to the project. (more…)
24 teams of builders are converging on Nevada over the next week from around the world. Portland, Vancouver, Victoria, and Idaho are all loading up and driving south. New York, Washington D.C., Minnesota and others are lumbering down I-80, heading west. And around the world, teams are flying in their work crews and gathering locally to buy materials and pre-build their projects.
On Saturday at the The Generator in Reno/Sparks, there is a bustle of construction and chatter in foreign tongues. Several teams are busy preparing to transport their work to the playa. The Generator is a free workspace in an industrial area that has high end tools and hammers, metal working and dance practice space. It is run by Burners and holds true to decommodification and community as part of their creed.
Currently, it is buzzing with crews from Hawai’i, Israel, Holland, France and other locations. (more…)
People have lots of ideas about what Portland is like. Portland is weird and eclectic, some think, and the cable comedy Portlandia is partially a documentary (it’s not). I have met a lot of great people from Portland. Yes, some of them are weird. If you are familiar with the kilt-wearing, bag-pipe-playing, Darth-Vader-mask-wearing unicycle rider from the famous meme, I can assure you he has a real name and is a great guy to talk with.
But as far as Burners go we all like to think we are weird. And the team for the Portland region’sCORE project certainly self-identifies as such. They are bringing art that presents Portland’s soul to add to the circle at Burning Man.