Welcome to Metropol – The Story of a City
[This post is part of the Metropol Blog Series.]
According to my dictionary, a bohemian is “a creative person, as an artist or writer, who lives a free, unconventional life.” When bohemians gather, they tend to form ‘scenes’ — loosely knit societies that often coalesce around a meeting place; a salon, a club, a neighborhood or bar. Burning Man emerged from just this sort of boho scene in San Francisco. Such scenes have given rise to avant-garde and counter-cultural movements that have profoundly influenced the evolution of modern society. However, just as frequently, the interactive and communal aspect of these scenes has proven fragile and short-lived. Seen against this background, Burning Man may claim one novelty: it is the first bohemian scene to turn itself into a city.
This city that seldom sleeps, a place in which the pulse of life is so distinctly urban, isn’t powered by a traffic in commodities. Although the theme camps lining Black Rock City’s streets resemble retail outlets, they function to distribute gifts created by our city’s citizens. Likewise, many of our city’s services, such as the ritual lighting of street lamps, or the informal transit system provided by art cars, are contributed by Burning Man participants as acts of self-expression. This preoccupation with aesthetics, personal initiative, communal effort and the sharing of gifts is exactly what might be expected of an urbanized Bohemia. Read more »




