Our friends over at iBurn have released their Version 5.0.1 of iBurn for your enjoyment. Each year they gift this app to the community and it can come in handy when you’re out on the playa looking for art or trying to hook up with friend or try to beat “playa time” and actually make it to an event “on time”. It is self contained and doesn’t require 4G or internet to work.
iBurn has a map of Black Rock City featuring listed Art projects, Themecamps and Events with a filter ability to sort on types of events. It also has a favorites functionality where you can add your friends or favorite camps and Art. Full descriptions with other data like emails. locations, Home towns, etc are also available.
The folks over there are not affiliated with Burning Man and they gift this useful piece of technology for you. If you’re up for it, go check them out on the web at http://www.iburnapp.com/
The information in iBurn is locked until you reach Black Rock City.
Are you packing and getting ready to make the journey to Burning Man this year, buying fresh playa essentials and becoming all giddy like a kid getting supplies ready for the first day of school? If so, while you’re busy arranging your tents, coconut water and fuzzy boots, bikes, baubles, sparkly bits and bottles of liquor, mannequin heads, sound systems and shade structures, chill space ephemera, swamp coolers and cases of beer, stickers, misters, boxed wine and hats you don’t wear anywhere else but at Burning Man and all your fabulous costumes so YOU will be a piece of art at Black Rock City, may I suggest that you take a moment on the ride out and read about the wonderful ART that is being built this very moment on the playa to amaze and delight you?
This year our esteemed leader, Mr. Larry Harvey has proclaimed that the theme shall be called “Caravansary “, which evokes the great crossroads of trading routes of yesteryear, traversing across deserts from the Far East to Europe where travelers and traders would stake temporary encampments to exchange ideas and goods. These were groups of dusty adventurers with camel towed transports overflowing with gold, silver, teas, silk and other fabrics colored by exotic dyes. They were intent wanderers alive with fertile transactional minds; effusive to overflowing with enthusiastic proportions of good will, and even warring tribes would set aside their differences long enough to celebrate together, to amaze and tell stories, recite poetry and make music, to exchange camels and goods in a spectacular gathering full of mystics and seekers, craftspeople and performers in the Souk, an extravaganza of the odd and bizarre. This was an era of “fully integrated culture”.
Evidently Burning Man’s theme this year is “Burning Man”.
Our artists have been working their asses off all year to GIFT you with ART you won’t encounter anywhere else. There are 270+ projects listed and they are all thought provoking and by the looks of things, we have yet another banner year of projects that will delight and inspire you. On your ride out, grab the Compendium for some in depth reading about the ART this year, and download and listen to the self guided tour with your guides Jim Tierney and Evonne Heyning.
There are SO MANY AMAZING PROJECTS that caught my eye and while not in any way exhaustive, here are a few to pique your curiosity. I’m well known to miss the absolutely coolest piece to hit the playa (see Piss Clear 2006 where I missed “Uchronia” aka the Belgian Waffle) but this year may I humbly offer you MOZE’s 2014 ART PICKS and MORE.
Embrace by the Embrace Crew
The crew who brought you the Pier, Pier 2 and La Llorona have been working in Reno’s Generator for months to bring their latest installation to fruition and right now on playa to the right of the Man, they are building their seven story structure of two quite large people in an embrace. The piece is dedicated to the now and like everything we’ve seen from this group it is expertly conceived, finely crafted, beautiful and something I suspect will become a grand meeting place crawling with Burners caught in its embrace.
Sure, every year the Man is cool. We like to see him there all week and we like to see him finally burn because really, we have to do SOMETHING with him at the end of the event. We’ve had some Men on spectacular bases, and last year’s saucer was one of the most amazing things I’ve ever seen, especially when it burned, but this year we have a very, very large Man standing directly on the playa. What does this mean? I’m not quite sure, but as people have said, in addition to just how awesome these two projects sound, “Embrace” and the Man look like they’re also going to be cool because, well…. BIG.
There’s a lot of buzz about SHOGYO MUJO by Bart Kresa and Joshua Harker that is a 30 ft high geodesic skull that will have 3D projections wrapped on all sides with nightly video interactions between the skull and participants. As the artists write, “the skull becomes a vehicle for experiencing and channeling our visions into the physical world.” This sounds stunning and the images they’ve created provide high expectations. The Creators Project has written a comprehensive piece on SHOGYO MUJO here.
This year we also have Eternal Return by Peter Hudson. Hudzo has brought us some of the most iconic sculptures to grace the playa including 2011’s Charon and 2007’s Homouroboros to name only two and as usual he’s holding back on the details because, as he told me once, he wants participants to discover his art in the same way he discovered a piece of art that truly moved him on his first Burning Man. Peter works with big concepts and this piece discusses “cyclic existence”, something perfect for his Zoetrope iconography. He writes, “the eternal return speculates that the universe has been recurring, and will continue to recur, in a self-similar form, an infinite number of times across infinite time and/or infinite space.” Based on his past work, we can expect something amazing and truly splendid.
David Best is bringing the Temple of Grace to the playa this year and it is going to be splendid; a 70 feet high structure in a huge courtyard. This year’s Temple has a gracefully curved body and intricately cut wooden panels and that team has been working double time to provide our community with a sacred space this year.
Another piece that sounds exciting is Paha’oha’o by Kahai Tate (who also worked on Truth is Beauty). The piece is a 30′ tall with a 60′ base that will be illuminated with LEDs to simulate lava flowing. “There will be a ladder to allow to people to climb to the top of the caldera and sacrifice themselves into mouth of the volcano.” Climbing and sliding into the mouth of an active volcano sounds perfect for Burning Man. Affinity wrote a great blog on the entire project with more details here
The Lost Tea Party by Alex Wright aka Wreckage International sounds intriguing, the images we have look pretty cool and there’s a great article about it here. It “is a camel train like no other. Lost in the sands of time it has lost not only its way but it has lost its original form, it has trans-mutated into a procession of giant teapots.” One imagines steam inspired walkers mixed with a healthy dose of Dali-ese Darjeeling madness. Along the same lines of odd and somewhat striking in description are Eidolon Panspermia Ostentatia Duodenum (epod) by Michael Christian and Dallas Swindle and Lost Nomads of Vulcania by Joe Mross and Archive Designs, “featuring the Teluriz, one of the few remaining Vardo Class Steam Walkers built by the last surviving members of Captain Nemo’s crew”. Enough said.
In addition to all the installations that will burn this week, interactive fire sculptures abound. Merope II and Angel of the Apocalypse Feathers by Flaming Lotus Girls, interactive fire in the form of “feathers from the Angel of the Apocalypse will create a warm and inviting space for the weary playa traveler” and a “filigree stainless steel star with seven points that emit powerful flames”, Infinite Infant and the Trail of Toys by Charlie Smith brings us a flaming infant pulling a trail of toys on fire, Wheels of Zoroaster by Anton Viditz-Ward is a spinning, sparking firewood filled blazing project.
Celestial Mechanica by Jessika Welz features our solar system complete with a flaming Sun, and Wheel of Fortune by Anne Staveley, Jill Sutherland and Kasia Bilhartz includes a burning hearth and is a “interactive installation and divination tool featuring the 22 Major Arcana cards of the tarot”. Also, we have Dragon Smelter by Danny Macchiarini that will be in the 4:30 plaza. Bring a your cans to RECYCLE CAMP then stop by 5:30 and Rod’s Road with a couple cans to smelt some coins.
If you are looking for a Womb with a View, there’s The Dining Womb by John Lum and Bret Walters, a location at the axis of Sunrise and the Man that is a “24 hour lounge observatory for celebrating the passage of time and our internal clocks of hunger.” I’m told that dinner will be served.
Speaking of people gathering to dine, if you are interested in the great Wagon Train migrations caravans of the 1850s in America, Donnerarium by Badier Velji, Mikel and Sandi Kovach-Long explores some little known history of the US Camel Corps where participants “are are encouraged to pose with the articulated skeletons or ride a camel.” The piece also pays homage to “The Donner party which passed close-by in Wadsworth NV. Signs will provide historical information as well as whimsical comments.”
Will there be camels this year? I have heard from several entirely unreliable sources that there very well may or may not be LOTS AND LOTS of CAMELS on playa this year. There might be a petting zoo in the Souk. There could very well be camel spitting contests and a great albino camel that wears shaded goggles and sparkle calf pink fuzzy hoof boots. The last camels I saw out here were in 1998, and this is their environment after all, so if they do show up, try to find them because camels are works of art in their own right.
For those of you who enjoy wandering the playa at night, looking for light and soundscapes to explore, Zymphonic Wormhole by J-Kat and Shelly is an emergent, layered symphony of light and sound follows those pass through it. The Field of Echoes by Sean Coffin that is a reverberant space where sound echoes and decays slowly as it would in a cathedral, Percussion Sphere by Lucas Jones – a place to gather and unleash your musical capacities and inspirations on a giant interactive instrument.
Wind Sound Sanctuary by Robert Hoehn “is a vintage windmill-driven set of playable pipe organs, flanked by a pair of Aeolian harps made of copper, canvas and birch”. There are Musical Swings by Ron Simmer and Super Pool by Jen Lewin that is an environment of interactive light: “Imagine a giant canvas where you can paint and splash light collaboratively”. Marac Anderson brings us Rings of Light, a daylight reflective curved sculpture and a nighttime interactive rainbow ring of colors. Additionally we have a Visual Orchestra by Greg Ames/Dawn Crat and a SoundPuddle by John English that is an “interactive space of visual-acoustic synesthesia”. I suspect that cuddle puddles may spontaneously appear at or near this piece.
There are some serious projects out here this year, and I image Resticles by Deborah Colotti is at the top of that list as it explores “cojones … vajazzled with LED strands” that are “two parachutes salvaged from the British military have been tie-dyed and tailored to be tugged and stretched over a nutsack-like structure built atop two tightly tucked 14-foot trampolines” so that these Resticles can bounce on said trampolines, bringing enlightenment to all.
Along a similar vein, we have big towering sculptures including, the returning Minaret by Bryan Tedrick that you may remember from the 2010 Keyhole described as “a power spot suggestive of a totem, spinal cord, and mushroom all rolled into one”. There is The Divine Masculine by Jack Allen and Tres Fontaine, a 22 ft tall sculpture of one of the “most enduring and personal symbols of the masculine”, that may compliment Cosmic Condom by Brett McIntosh.
Also be on the look out for The Vulvatron by the Cliterrati that is “a visually iconic mobile art piece, empowering women, goddesses, and the feminine identity. The form is inspired by the often politicized and stigmatized vulva.”
There are SO MANY projects this year. Dan Fox (of Anubus and the Trojan Horse fame) brings us Alien Siege Machine, a ghost ship that “travels through space and time imperiling all it encounters”, Sean Orlando and Orion Fredericks’ are bringing Armagan, “an interactive fire art piece located at Opulent Temple. Armagan means ‘the gift’ in Turkish” and Laura Kimpton, Jeff Schomberg and Steve Atkins are building The Pyramid of Burning LOVE and there will be LandSharks by Todd Williams swimming on our ancient lake bed.
We have quite an ART SCENE out here in the middle of this god forsaken desert, monstrous structures, sublime and anarchistic, all brought out by people who LOVE ART and who work hard to craft, build, ship and then make their way out here to install something to make you think, to make you delighted like that kid on their first day of school. If you meet artists at their projects let them know you appreciate what they do. Tell your friends to go visit installations, take pictures, get inspired and find YOUR FAVORITE pieces this year.
The MP3s are great to listen to while packing, on the drive to BRC, or on playa, as you’ll have your own personal art tour guide. They should import into your music player as an album and are easy to drop into a playlist.
Your tour guides are the ever fantastic art fanatics Jim Tierney and Evonne Heyning. Blurbs for each piece are written by Jim Tierney or the individual artists.
Spread the word far and wide and bring your own Art tour to the playa.
One thing that keeps me coming back to Black Rock City each year is the ART.
It has been said many times that the playa is a blank slate, a tabula rasa, a seemingly infinite empty space that all of us who are the Burning Man community fill up for a week with so much art that it is bursting at the seams, and seeing how the playa challenges artists is a thing of beauty.
Our artists are playa hardened. They are well aware of how a massive, not unexpected dust storm affects agility of machinery and mechanics. They know how a rain storm stops all forward momentum and that a wind gust can topple the mightiest monument. In the environment of Black Rock City, just spending months building an art piece and transporting it is only a small part of the challenges that artists face to fill up that space. They are planning for an art show at the edge of the apocalypse, with insidious alkaline powder invading every electronic device, with huge and heavy sculptural forms being moved across the soft packed playa surface all using an infrastructure they and Burning Man set up for only a few weeks a year.
Our artists are aware of the vastness of the space they are attempting to fill up. I believe they are basically mad to even attempt to do what they do every year and those of us who are not building art out there are so fortunate to be at this point in history; to be a part of this thing we call Burning Man.
Sometimes on playa, we can take the art for granted. You will always stumble into something wonderful on your journeys to and fro and that is indeed planned. But for you art junkies out there who want to see it ALL each year, the ARTery is Black Rock City’s portal for Art Tours, and this year there is a panoply of options to explore.
A web page with all the information you need is in the works, but here are some details for now. You should stop by the ARTery at 6:30 and Esplanade, next to Everywhere, if you are interested in any of these tours. The ARTery’s hours are 9am to 6pm every day (closed for lunch from 1-2pm) and they would love to see you! Keep reading for all you need to know about Art Tours this year.
With the Bay Lights as a glittering backdrop, the Flaming Lotus Girls have installed their beautiful and interactive 2009 sculpture, “Soma”, at Pier 14.
San Francisco has been showcasing art at Pier 14 for a while now and Soma is the third art piece to have debuted in Black Rock City that will now grace this breathtaking corner of the City. The piece was installed over the last two weeks and has already become the toast of San Francisco.
The sculpture is 60 ft long, dendrite to dendrite “depicting two communicating neurons connected by an axon bridge. A soma is the cell body of a neuron, with branching dendrites projecting away at different angles, and an axon which conducts the nerve signal electrochemically to its neighboring cell.”
Soma is the combined work of over 100 Flaming Lotus Girls volunteers and the fire that glowed on the playa has been replaced with 97 LED lights that mix wonderfully with Leo Villareal’s Bay Lights behind them.
… represents the communication between two neurons: She transforms the neuronal flow of electricity that forms the foundation of consciousness from a molecular to a monumental scale.
Built of stainless steel and LEDs, SOMA leads us to ask fundamental questions about human thought and neurological transmission. What is consciousness? What is communication? How does our physical and cultural environment shape us? What makes us human? Soma invites us to explore individual, collective and cosmic consciousness, the ego, and the hidden potential within us all for a more connected future.
Honoraria and Art of Black Rock City installations have been uploaded to the website and there are some fine looking projects slated for this year’s event. 2014 will sport an Man towering “many stories high, rising directly from the desert floor”, and from the looks of the Art descriptions, it’s clear that we also have some spectacular and mind blowing Art projects in the mix.
We have Pools and Sound Puddles, oases, Resticles and a Vulvatron. There will be silk, towers and minarets and Jessika Welz’ “Celestial Mechanica“, a “kinetic mechanical representation of our own solar system.” There will be camel and wagon trains and even ZZ Fish by Jan DeLano, Wendell DeLano, and Anne Pearce that explores the “determination, transformation, and the cycle of life across the vast oceans of the planet” of salmon migration. “Big Al” by Brennan Steele is an alligator effigy, spawned from the CORE by New Orleans Burners that “pays homage to the spark that brought the NOLA Community together, the inspiring event known as Burning Man”.
Peter Hudson brings his much anticipated new zoetrope, “Eternal Return” that “speculates that the universe has been recurring, and will continue to recur, in a self-similar form, an infinite number of times across infinite time and/or infinite space.” The Pier Group, who brought us the Pier in 2011 and Pier2 and La Llorona in 2012, return to the playa with a new project, “Embrace“, “a 7-story tall wooden cathedral-like sculpture of two human figures in an embrace.”
There will even be a volcano, Paha’oha’o by Kahai Tate … “rising thirty feet from the desert floor; the great volcano Paha’oha’o! At night its fiery peak will be visible from miles away as will the screams of those who cast themselves into her cauldron, seeking the joy of flaming transformation.”
Also gracing the playa will be Wormholes and Warps, Pulses, Pavilions and a Parasolvent. “The Lost Nomads of Vulcania” by Joe Mross & Archive Designs, is “a steampunk-inspired gypsy encampment featuring the Teluriz, one of the few remaining Vardo Class Steam Walkers built by the last surviving members of Captain Nemo’s crew.” There is Ice Fishing, an Observatory, some medieval pillory and stocks, and “lumenEssence” by Mauricio Bustos is a “sheltering organism that serves as a waypoint and retreat for weary playa travelers.” It is constructed of 33 30-foot LED illuminated towers of many tentacles.
This year’s Temple will be built by David Best and the Temple Crew. The Temple of Grace will serve as a spiritual and sacred place for memorials and will be “70+’ high, and have a footprint of 80’x80′; it sits in a courtyard approximately 150’x150′. The structure incorporates a central interior dome within a graceful curved body made of wood and steel. It will again have intricately cut wooden panels for the exterior and interior skin. Eight altars will surround the temple inside a low-walled courtyard, creating a large exterior grounds for the community.”
This year — in the spirit of our current world of online funding of big art — BRAF is also facilitating fundraising so that in addition to getting involved building the Art, you can help support your favorite project financially via the Black Rock Arts Foundation. From their site:
The Black Rock Arts Foundation is pleased to offer fiscal sponsorship to a select number of projects produced for exhibition at the Burning Man event in 2014. We hope that this pilot project will help Burning Man artists raise necessary funds for their art by enabling tax-deductible contributions to their projects.
The 13 Honoraria projects under BRAF’s fiscal sponsorship are projects whose cost is not entirely covered by Burning Man or other Art grants. By using the BRAF Fiscal Sponsorship, potential donors can realize additional benefits such as a tax write off, matching donations from donors’ employers, and grants from donor-advised funds that can only be given to recognized 501(c)(3) organizations.
Additionally, if you are interested in reading about last year’s art and reviewing a financial chart of expenditures for Burning Man 2013, including Honorarium Art Grants, check out the just-released 2013 Afterburn.
At this point in time, we live in a world of possibilities. This post barely scratches the surface of what is coming to Black Rock City this year. Right now countless people are creating Art and Theme camps, organizing music and performance, going over City plans and making sure the infrastructure is built. We are devising clever alterations to reality to share at Black Rock City that week that is coming up soon. We are planning and working and pouring ourselves into whatever it is that we will share in this year’s Caravansary, all commingling and cross pollinating; working towards this event we keep returning to because we create it. It is ours.
Take some time to read about the Art this year. It’s a lot of fun when you’re cris-crossing the playa and are suddenly pulled deep into the sphere of something you’ve never experienced in your life, waylaid for minutes to hours and having a blast with it and someone says, “I wonder who built this” or “What is this” and you remember a bit of something you read in June you can share with your fellow wayfarers.
As always, Burning Man will be putting up the extremely enjoyable Art Audio Tours by Anarchist Jim, Evonne Heyning and the whole ARTery team before you leave for Black Rock City that can be downloaded and brought with you while you journey across the playa discovering all the amazing creations on your way.
This has been a busy year at Burning Man HQ; a move, a new Project, a lot of activity, worldwide outreach and of course, planning for TTITD, however, we were able to get all the reports in, find images for each page, format everything and QA the beast known as the AfterBurn 2013.
Last year’s Census has been turned into a beautiful single document and in the AfterBurn you can read all about the challenges faced and met, the fantastic Art that graced the playa, organizational and city infrastructural updates with new strategies moving forward, and as always, you can read reports from all the teams that make Burning Man happen.
With the new Burning Man galleries we’ve created a new moderator account and we’re able to grab images that aren’t in the gallery (and give credit to the photographers of course). Many thanks to Mr. John Curley who shared some DPW pics from his most excellent blogs and also thanks David Marr who also took some great pre-event pics. And thank you ALL Burners who take your photos of the event and share them on the Burning Man galleries. Special thanks to Scotto for the QA.
The AfterBurn is becoming a nice ongoing history of Burning Man.
This time of year, every year, as the sun returns and days grow longer, I am perpetually surprised and overwhelmed by the indubitable flourish of life that rises from a thawing long winter existence that held us cold and gray transfixed in darkness for what seems like so long. All around us rises the essence of resurrection as plants pop, bulbs shoot with flowers blooming, bees buzzing and every living thing is struggling upward towards the sun and suddenly where there was nothing but defeated pulverized grass, crawls extant these growing tendrils of life breaking through everywhere; climbing, exploding with color, painting the earth green and blasting fast across our part of the planet that is once again tilting towards our sun.
With spring sprung and flowers a poppin, whilst sugar demon peeps are peepin all seeping into your Easter EGGstatic consciousness and the vestige of winter sog slop slogging is stopping, I felt our newborn sun creeping warm across my whiskered face and my thoughts turned to reveries of my most resplendent time with some bunnies.
Those Bunnies are the Bunnies of Bunny Jam, and same Bunnies of the Billion Bunny March; a most happy hopping, seriously protesting, floppy eared kind of kindest fuzzy kin.
I’ve written about my love of Santas for I have been a Santa, drunk and boisterous, and of Clowns with whom I have marginally experimented, and I’ve mentioned my encounter with an aught two unholy alliance those unkempt ruffians formed against the Bunnies at Santa’s Black Market. My friend Mr. Evans with his fellow conspirators in thought crime, duly and most wonderfully documented the exploits of a motherload of culture jamming that manifested in the SF Bay Area in their “Tales of the Cacophony Society”, however, one group, the Santas, like all good things after one too many bottles of Pine Sol, began their inevitable slouch towards becoming a tad more of an interloper social menace party and less a group of spontaneous subversives. As the Santa stroll bar hop was hitting its stride a silly hopping kind of phenomenon rose from another holiday and rooted in carrot love, populated by gentle spring time sprung , furry familiars – raised its floppy eared head.