Performers Wanted for the Midway Stages!

BM-2015-Carnival-of-MirrorsStep right up to the fabulous Man Pavilion stages for round-the-clock entertainment of all stripes!

Two stages, located approximately 100 feet from the Man at 4:30 and 7:30 and equipped with lights and sound, will run 24/7 during event week. We are looking for seasoned and brand new performers to join us on the Midway; both stages will be curated and scheduled. Performers are encouraged to sign up prior to Burning Man, as time slots will fill up fast. You will not be provided a ticket to Burning Man for performing, you will need to have ticket in hand.

For more information, or to sign up now, email stagemanager-at-burningman.org here: stagemanager (at) burningman.org.

The Birthing House

by Angel Eyes

(Photo by ucki ood)

(Photo by ucki ood)

On our first night, we birthed eight people. Maybe twenty. It’s hard to know. When beings are flying over you, under the night sky, supported only by your fingerprints and palms, numbers seem a strange reality to track.

We had made our way out to the deep playa by means of a few different vehicles — an island complete with palm trees, a multicolored bus with seats on its sides. We had climbed up and through a spinning metal globe, levering ourselves up through triangles of space, watching the lights of the Esplanade blur as those on the ground pushed the sphere in faster and faster circles. We had cased several strips of porta-potties, oriented ourselves to the compass points of the Man and the Temple. We lit our own path as we trekked through pockets of soft and sinking sand, each of us with battery packs stored on our persons. (more…)

The Burning Man Minute for July 7, 2015

Burning Man news comes at you faster than a speeding metaphor! More powerful than a leaping analogy! You need to digest it like a symbolically appropriate digesting thing! That’s why there’s: The Burning Man Minute!

Still not caught up? See previous episodes of The Burning Man Minute here and here!

The Temple at Patricia’s Green

Last Friday, a jubilant group of locals, art lovers, Burners, City officials, neighborhood activists, and a sizable crew of staff from the San Francisco Burning Man office made their way to the Hayes Valley neighborhood, and gathered to celebrate the unveiling of David Best’s latest temple in San Francisco. Best’s temples, as any Burner knows, have a hard-to-describe, extraordinary quality about them. Each one conveys a distinct meaning specific to its location, community, and point in history. This one is special to us here at Burning Man Arts, as it marks the tenth anniversary of our Civic Arts Program.

The Temple at Patricia's Green, San Francisco, 2015 (photo by Gareth Gooch)
The Temple at Patricia’s Green, San Francisco, 2015 (photo by Gareth Gooch)
The original Hayes Valley Temple, San Francisco, Ca, 2005.
The original Hayes Valley Temple, San Francisco, Ca, 2005.

Ten years ago, we were approached by the San Francisco Arts Commission (SFAC) and the City’s mayor, Gavin Newsom, and asked to work with Best to create a temple for the Hayes Valley neighborhood in San Francisco. The community’s love and appreciation for the piece energized and inspired us, and we became determined to share more public art with more communities. And, thus, our Civic Arts Program was born! Since then, the Civic Arts Program has installed 29 works of art in cities including Reno, Nevada; Detroit, Michigan; and Fernley, Nevada, as well as in the San Francisco Bay Area. This is in addition to our Global Art Grants program, which has funded over 120 projects to date, worldwide.

David Best speaks at the Opening Reception for the Temple at Patricia's Green, San Francisco, Ca (photo by Scott Hess)
David Best speaks at the Opening Reception for the Temple at Patricia’s Green, San Francisco, Ca (photo by Scott Hess)

In local news coverage of the project, and at the unveiling event, Best remarked that volunteers don’t work for money—they work for love. His crew, standing behind him at the event, nodded their heads in agreement. David Best’s crew of over 60 volunteers began construction on the new temple about three months ago at his home in Petaluma, California. They then moved their work to the installation site, where they worked for two weeks artfully assembling the temple’s many decorative elements.

Dean Mermel and Stephanos of Tom Jonesing playing at the Opening Reception for the Temple at Patricia's Green, San Francisco, Ca (photo by Scott Hess)
Dean Mermel and Stephanos of Tom Jonesing playing at the Opening Reception for the Temple at Patricia’s Green, San Francisco, Ca (photo by Scott Hess)

Last Friday’s Opening Reception included remarks by SFAC Director of Cultural Affairs Tom DeCaigny, City Board of Supervisors Board President and District 5 Supervisor London Breed, Burning Man Associate Director of Strategic Initiatives Tomas McCabe, Madeline Behrens-Brigham of the Hayes Valley Art Coalition, and artist David Best. Mauro ffortissimo of the Sunset Piano project warmed up the crowd with a few classical music selections, and lounge act Tom Jonesing concluded the morning’s festivities with the perfect soundtrack for a sunny, joyful day in San Francisco.

 

 

Installation of the Temple at Patricia's Green, San Francisco, Ca, 2015 (photo by Gareth Gooch)
Installation of the Temple at Patricia’s Green, San Francisco, Ca, 2015 (photo by Gareth Gooch)

This temple, simply called The Temple at Patricia’s Green, was a collaborative effort between SFAC, Burning Man, the Hayes Valley Neighborhood Association, Hayes Valley Art Coalition, and was funded by grants from San Francisco Grants for the Arts, the San Francisco Planning Department’s Community Challenge grant program, funds from development impact fees from Hayes Valley private developments, and generous donations from our supporters.

At the reception, Best clarified his perspective on his temples. He explained that this temple was not a work of art, but a functional space—an environment that can only be activated through participation. The structure is a mere container, a set condition, an invitation to co-create meaning. (Sound familiar? A certain city in the Nevada desert seems to function in the same way.)

The Temple at Patricia's Green, San Francisco, Ca, 2015 (photo by Gareth Gooch)
The Temple at Patricia’s Green, San Francisco, Ca, 2015 (photo by Gareth Gooch)

Following Best’s suggestion here, this temple is not a temple, independently. It is only completed by interaction, by the supplement of our responses and reactions to it. This shifts the significance away from art as a commodity, as something given and taken from one individual to another, and onto the relationship between individuals. This humble approach to art-making takes the focus off the artist’s singular vision and onto shared intention, and in shared intention is the potential for real social change. We think this shift is one of the reasons why Best’s temples and other Civic Arts public art projects seem to mean so much to people. It’s our hope to help communities manifest works of public art that function for them, personally and communally.

While the event at Black Rock City is paid for by ticket sales, Burning Man’s Civic Art projects depend on the generosity of our community. Thanks to the support of our donors, we’re able to fund a wide variety of Burner-initiated programs and art projects like the new Temple at Patricia’s Green in other cities. Tax-deductible donations can be made online at donate.burningman.org.

You got your money in my art! You got your art in my money!

This is one of my favorite stories about a piece of art.

michelangelo last judgment
Michelangelo’s Last Judgement

After Michelangelo was commissioned to paint “The Last Judgment” on the wall of the Sistine Chapel, the Vatican’s Master of Ceremonies, Biagio da Cesena, examined the painting in progress and said it was shameful for a sacred work to depict nude bodies, and that it was a painting more fit for a public bath than the Holy See.

In revenge, Michelangelo gave one of the devils in hell da Cesena’s face, and added donkey ears.  (Lower right hand corner:  he’s also got a snake wrapped around him.  Close-up below the jump.)

Da Cesena complained to the Pope, but His Holiness replied that there was nothing he could do, because this was a devil and his authority as Pontiff did not cover hell.

The painting remains on the wall of the Sistine Chapel to this day, viewed by millions of tourists each year, and while Da Cesena was a rich and powerful man at the time, the only reason we even remember his name today is because Michelangelo snubbed him.

Aside from being hilarious in its own right, this story sits right at the intersection between art, sacred culture, and commerce. Michelangelo was a hired gun, paid a lot of money to make sacred art by people there is every reason to think he didn’t particularly like or respect, and the result has become a fixture of western culture. (more…)

Becoming Playable

by Cosmic Trooper

I wasn’t a Burner my first day at Burning Man or my second.

I wasn’t a Burner until my third day.

Wasn’t a Burner until I decided that I wanted to be the performer dancing for the crowd.

Wasn’t a Burner until I went to the Temple and cried as I let go of my self-hate, my insecurities, my anxieties.

Wasn’t a Burner until after writing on the Temple wall and growing I decided to gift the marker that had been gifted to me to a tattooed, bad-ass looking-mother-fucker, sitting outside the Temple.

Wasn’t a Burner until when I handed him the marker he looked up at me and started crying. And I sat and I heard his story, his pain and struggle. And I took a little of that struggle off his back with an open ear and a firm hug.

Wasn’t a Burner until I realized that with the tiniest act, I could change the world.

I’m a Burner now. I know where True Home is but I try my best to make everywhere I am Home, one open ear and firm hug at a time.

Message To Participants

The days are getting warmer, tickets are showing up in the mail and the trolls are spreading mistruths online.  Yes, it is that time of year again:Pre-Burn Season!

This is also the time of year that first timers start to ask for advice from their veteran Burner friends.  I first send them to the fantastic survival guide, then to my tips & tricks videos (starting with the ones for Virgins).  Then I pat their head, tell them it is all going to be okay, and share some version of the message below.  In addition to bringing the right gear, it is important to bring the right attitude.

*This video was requested from participants of this year’s Midburn. It is worded in a way that applies to people heading to any event where Radical Self Expression and Gifting is embraced.

**If, after watching, you don’t feel drawn to attend this year, please sell your ticket back through official channels. There are many eager and well deserving people waiting for your ticket in the STEP program.

Ladies and Gents, Step Right Up to the Midway!

credit:  Vladimir Herrera
credit: Vladimir Herrera

This year, the Man will be surrounded by an interactive Carnival Midway, featuring booths created and staffed by 32 Regional groups and artists from the US as well as Taiwan, China, Sweden, Denmark, Finland, Norway, Canada, Argentina, Czech Republic, Lithuania, Latvia, Estonia, Japan and Russia. There will also be two performance stages and other carnivalesque art installations, completing this hyper-immersive center of burner-style Carny madness.

What to expect? Games of chance, cabinets of wonder, costumed characters, sleight of hand, lion tamers, showgirls, showboys, jesters, bearded ladies, bizarre creatures, mad professors, mysticism and of course, clowns! Enter at your own risk!! And be prepared for soul-baring, self-reflection, silliness and schtick.

Since 2011, we have engaged our Regionals at the center of the event. Over a three year period, in our Circle of Regional Effigies (CORE) Project, fifty Regional groups produced over seventy installations, placed around the Man. Each of the Regional groups involved worked intensely to create sculptures representing their regions, which were enjoyed by our greater community and burned. Last year we increased the Regional presence by engaging willing groups in the creation of the Souk, an interactive marketplace surrounding the Man, who stood on the ground, surrounded by an energetic round-the-clock pageant of interactivity and social engagement. The greater Burner community was able to engage directly with our Regional groups, as well as witness their creations.

This year we invite you to immerse yourselves in another collaborative environment, full of possibilities for creative self-expression and engagement with our Regionals. Identify your inner Carny, create your character and be part of this rich global stew.